Thursday, September 09, 2010

Saturday, September 25, 2010
 Amiri & Amina Baraka and Friends
at Skipper's in Downtown Newark, NJ
Fall masthead
$10 Admission
Plus $10 minimum purchase 
Two Sets
8 pm & 10 pm 
7th Principle Dance Co. 
 Dwight West
buffet
Rudy Walker 
 7th Principle Dance Co. 
 Rene McLean
 
 Allen Palmer
Allen Palmer
 
 7th Principle Dance Co.
Calvin Jones
Join Amiri and Amina Baraka and friends
Saturday, September 25, 2010
for poetry and live jazz.
 
WordMusic
Saturdy, September 25th
 
 
Amiri & Amina Baraka
Rene McLean, Reeds
Rudy Walker, Drums
Allen Palmer, Piano
Corcoran Holt, Bass
Dwight West, Vocals 
 
 
Skipper's Plane Street Pub
304 University Ave.
 Newark, NJ
 (Near Market St. in Downtown Newark) 
(973) 733-9300 
 
Featuring Amina and Amiri Baraka
  
7th Principle Dance Co.
 
 

September 9, 2010
Split This Rock Poetry Festival Logo

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DC Poets Against the War
 
The Institute for Policy Studies

Busboys and Poets
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Dear Split This Rock Friend,

This fall, we all have a special opportunity to stand for equal opportunity and justice for all. United for Peace and Justice and One Nation Working Together have joined forces and are bringing together like-minded organizations and citizens to march on Washington on Saturday, October 2 at 12 noon in a quest for jobs, justice, education, and peace.

This movement includes human and civil rights organizations, unions and trade associations, nonprofit organizations, youth and student groups, religious and other faith groups, educational, peace, environmental, and ethnic associations, and any other groups and individuals who are committed to pulling our country back together now. (More details below.)

In Split This Rock's spirit of advocating for social justice through poetry and activism, we are forming a poets' contingent that will march together on Oct. 2. Please consider joining us that day so we can demonstrate our support for equality, justice, and peace.

On the evening of October 2, Busboys & Poets (5th and K Streets, NW location) will host a Furious Dance Party for writer, poet and social activist Alice Walker, who will be launching her new book of poems, Hard Times Require Furious Dancing. Dancing, Drumming, Food, Open Bar, and Fun! We invite you to join us after the march for this extraordinary event. Tickets are available here.

The night before the march on Friday, October 1 at 5:30 pm, we will gather at the Institute for Policy Studies on 16th Street, NW to create signs with lines of poetry to carry in the march. We will provide some supplies (and drinks!) and ask those of you who can to bring supplies as well.

If you'd like to be a part of the Split This Rock poets' contingent for this march or help create signs the night before, we'd love to hear from you. Pleaset contact Carmen Calatayud at carmencalatayud@yahoo.com or 202-210-9412 if you have any questions or to RSVP for sign making.

Look for more details to come about exact times and meeting locations. In the meantime, we hope you'll save the dates and be a part of this crucial movement in the nation's capital.

In peace and solidarity,
Sarah Browning
Split This Rock
One Nation Working Together
March on Washington
October 2, 2010
 
Demand the changes we voted for!
 

One Nation Working Together is a social movement of individuals and organizations committed to putting America back to work and pulling America back together. Coming from a diverse set of backgrounds, experiences, beliefs and orientations, we are determined to build a more united country with good jobs, equal justice, and quality public education for all.
 

March on Washington D.C.
 
On Saturday, October 2, 2010, hundreds of thousands of Americans from across the country will gather at the Lincoln Memorial in Washington, D.C. to demonstrate our re-commitment to change.
 
The One Nation March will feature human and civil rights leaders, labor leaders, environmental and peace activists, faith leaders, celebrities and sports figures - all marching together to help Put America Back to Work and to Pull America Back Together. And to help reorder our national priorities so that investments in people come first.

 
What We Stand For
 
Putting America Back to Work
- Provide immediate relief for those who are currently unemployed.
- Extend jobless benefits, COBRA, mortgage assistance, and other initiatives for those currently out of work.
- Target help for populations and communities in the greatest need
 
Quality and Affordable Public Education  
- Ensure that all people have access to affordable, high quality education throughout their lives, from pre-school through college
- Provide for teacher training and support necessary to continuously improve classroom practice and serve students better
 
Equality for All
- Refocus Our Nation's Fiscal Priorities
- End the foreclosure epidemic and save the homes of America's families
- Reform bankruptcy laws to protect families and working people
- Prioritize affordable housing for all
 
For more on One Nation Working Together, click here. 
 
More details on meeting place and time for the poets' contingent to come. Keep an eye on your email!
Support Split This Rock

Please support Split This Rock, the national network of activist poets. Donations are tax-deductible through our fiscal sponsor, the Institute for Policy Studies.
 
Donate online or send a check payable to IPS/Split This Rock to: Split This Rock, c/o Institute for Policy Studies, 1112 16th Street NW, Suite 600, Washington, DC 20036. Many thanks!


Split This Rock Poetry Festival
www.SplitThisRock.org
202-787-5210
info@splitthisrock.org
A GOOD DAY FOR SCIENCE, NOW IF WE CAN JUST STOP THE BURNING OF QURANS


Breaking News Alert: Court temporarily lifts ban on stem-cell funding September 9, 2010 1:17:10 PM
----------------------------------------

An appeals court Thursday lifted a temporary injunction barring the federal government from funding research involving human embryonic stem cell research.

http://link.email.washingtonpost.com/r/ZTVJ68/V11QZ0/SP2MXI/2YD014/XM8K9/7V/h
COFFEE BREAK:

Coffee House Press
LATEST NEWS

Quincy Troupe will be honored with an American Book Award for Lifetime Achievement.

Laird Hunt’s Ray of the Star is a finalist for the PEN USA Literary Award for Fiction.

Allan Appel’s Hebrew Tutor of Bel Air is a finalist for the Harold U. Ribalow Prize.



Publisher's Desk
A Message from Chris Fischbach, Associate Publisher

My favorite time of year, fall brings crisp weather and honeycrisp apples, and it’s the best time of year for baseball. Every year Allan, the founding publisher of Coffee House Press, buys the whole staff tickets to a Twins game. This year, we’re going on September 22 to watch my Twins pound Cleveland. As many of you know, outdoor baseball has returned to Minnesota, and the whole state is buzzing about our fancy new stadium, and our return to the open air.

Just across the Mississippi, here in our office, change is also in the air. Over the next couple of months, you’re going to hear from us more often as we introduce you to our snazzy, revamped website; a blog or two; an improved newsletter; a mess of e-books for all e-readers; and even a partnership with an exciting new audio book company. We’ll be fully plugged in, and we invite you to join us.

But have no fear, because as I looked up from writing that last paragraph, just outside my office door I spied the platen press that started us off more than thirty years ago, at Allan’s house in Iowa, when Coffee House was just a glimmer in his eye as he ran Toothpaste Press, setting type by hand. Even though we’ll be stepping toward a more digitized future, we’re more dedicated than ever to the physical beauty and permanence of well-made paper books. We’ll never give that up—there will just be new ways to get your hands on them.

Go Twins! Go Coffee House Press!


Featured Books

10 Mississippi
Poems by Steve Healey
 

10 Mississippi CoverHealey Photo

"Despite the national craze for self-expression that poetry has become, it is harder than ever to hear an original voice; but here one is and it's a doozy. Somehow Steve Healy has figured out a way to get a new sound out of the saxophone of English. Loopy, smart, eyebrow-raising, wiggy, and wildly entertaining belong in the string of modifiers that would try to describe this poet's amaing voice."  —Billy Collins


Upcoming Events
A virtual book launch is in full swing running until September 10. Anyone can order a signed copy of 10 Mississippi on the Coffee House Press website and receive a nice discount, and a portion of the proceeds will go to The Conservation Fund, a charity that works to revitalize the Mississippi River. Click here for more information about the sale.

Friday, September 10, 2010 @ 7:00 pm
Minneapolis, MN
The Soap Factory
514 North Second Street SE
This event is part of the Rain Taxi Reading Series and co-sponsored by Coffee House Press. Click here for more information.



Extraordinary Renditions
Debut fiction by Andrew Ervin

Extraordinary Renditions CoverErvin Photo

Check out the book trailers for Extraordinary Renditions

"Set in a madly grasping modern Budapest, literary critic Ervin’s debut mines very different ways of achieving personal and artistic freedom in three neatly polished, interlocking tales." —Publishers Weekly (starred), Pick of the Week

“A thought-provoking exploration of tyranny, freedom, and the power of music.” —Booklist

“To read Andrew Ervin’s new book is to know why independent small-press publishing just may hold the ticket to our future in literary fiction.” —The Longest Chapter

Upcoming Events
Sunday, September 12, 2010 @ 12:00 pm
Brooklyn, NY
Brooklyn Book Festival
International Stage (on Court Street between Joralemon and Pierrepont)
“Foreign Destinations and Destinies” panel discussion with Sandra Rodriguez Barron and Lan Samantha Chang

Saturday, October 16, 2010
Minneapolis, MN
Twin Cities Book Festival
Minneapolis Community and Technical College
1501 Hennepin Avenue, Minneapolis, MN 55403



Horse, Flower, Bird
Stories by Kate Bernheimer
Horse, Flower, Bird coverBernheimer photo


“Imaginative . . . lean and lyrical writing. . . . Bernheimer’s passion for fairy tales is evident in every story she spins. . . . [Her] work provides a refreshing contrast to most available fiction. It is no stretch to compare her to Aimee Bender or Kelly Link.” —Library Journal

“Deep-seated fears find their way into these eight brief, dark adult fairy tales. . . . These stories are the product of a vivid imagination and crafty manipulation by their skillful creator.” —Publishers Weekly

“Hauntingly poetic. . . . By turns lovely and tragic, Bernheimer’s spare but captivating fables of femininity resonate like a string of sad but all-too-real and meaningful dreams. This is a collection readers won’t soon forget, one that redefines the fairy tale into something wholly original.” —Booklist

Upcoming Events
Friday, September 10, 2010 @ 6:00 pm
Omaha, NE
Omaha Literary Festival
KANEKO
1111 Jones Street

Tuesday, September 28, 2010 @ 7:30 pm
Portland, OR
Powell's
1005 West Burnside Street



Dear Sandy, Hello: Letters from Ted to Sandy Berrigan
by Ted Berrigan; Edited by Ron Padgett and Sandy Berrigan

Dear Sandy, Hello coverBerrigan photo

Publishers Weekly: An interview with Ron Padgett

“This volume vividly preserves young love through Ted’s letters to Sandy while she was institutionalized—packed with rage, frustration, and thoughts about writing . . . ‘It’s time for less warm tears and more cold fury,’ writes Ted, transporting the reader to a time when a passionate and impulsive young woman could be committed for behavior contrary to social norms. Even those unfamiliar with Ted’s poetry will be fascinated by the drama inherent in this collection.” —Publishers Weekly (starred)

"For anybody with a taste for Ted, this book is another sweet addition to the happily increasing literature by and on the subject." —Bookforum


Sarah—Of Fragments and Lines
Poems by Julie Carr

Sarah - of Fragments and Lines coverCarr photo

“As Carr shuttles among her triple roles as mother, daughter, writer, individual words and phonemes shuttle back and forth like classical melodies. . . . Repetitions and echoes owe something to Gertrude Stein, but Carr’s earnest music never simply repeats earlier experiment. Rather, her spare songlike pages . . . portray the strong contrary pulls in her divided mind.” —Publishers Weekly (starred)

Upcoming Events
Friday, September 10, 2010 @ 7:00 pm
Ann Arbor, MI
Copper Colored Mountain Arts
7101 W. Liberty Road


FOOD:

What a wonderful evening last night. My friend Channapha fixed a delicious Lao meal at her house in NE.
 Here's the Lao meal we shared:

Tum mak hoong - papaya salad
Yum - glass noodle salad
Nam - red curry rice w shrimp and herbs
Mok pha - steamed fish w herbs
Kao neo mak muang - sticky rice w mango
Kao neo - sticky rice

Sap lai - delicious.
NEWS FROM THE LIBRARY OF CONGRESS

Dear Friend of Poetry,

Our Fall 2010 Poetry at Noon series kicks off with a program we're calling, "Rhode Island Sampler."  Rhode Island State Poet Laureate Lisa Starr, and Rhode Island poets Tom Chandler and Chachi Carvalho will read from their work.  Also appearing will be Amber Rose Johnson, national champion of the Poetry Out Loud competition, who will perform her winning recitation.

The event takes place on Tuesday, October 19 at 12:00 noon in the Whittall Pavilion in the Library of Congress Thomas Jefferson Building, 10 First St. SE in Washington, DC.  The event is free and tickets are not required.  If you have any questions, just email me or give me a call.

Please join us!

Sincerely,
Robert Dardano
Poetry and Literature Center
Library of Congress
101 Independence Ave. SE
Washington, DC  20540-4861
15th Annual F. Scott Fitzgerald Literary Conference Schedule:

www.fscottfitzgerald.wordpress.com 
RADIO DAYS:

I will be on WPFW ( 89.3 FM) discussing my memoir THE 5TH INNING with Jo Reed at 10 AM today.
Tune in...

Wednesday, September 08, 2010

NTOZAKE SHANGE
if i asked: is this james brown or clifford jordan? you wd know. if i
said: is this fletcher henderson's band or the blackbyrds. you wd
know. i say. pick one: ayler or coltrane. here's another: charlie parker or ben webster. most of you wd know. the tone. the lyric. rhythm & cadence of the musician is a personal thing to you. you listen & learn
the particular flow of a particular somebody.

soon you'll say that's oliver lake. not julius hemphill. or that cdnt be david murray. that's gotta be hamiett bluitt. you cd go so far as to say joseph jarman wd never play anything like that. or even point ornette coleman out/shd you see him any where/& say...he is history.

we can do this with any kinda horn...clarinets, saxophones, trumpets/tell me what does 'some day my prince will come' / mean to you. that is not snow white or walt disney/that is miles davis.
BLACK MEDIA:WWW.BLACKPR.COM
PM PRESS GETS READY FOR THE PENNANT RACE

http://www.pmpress.org/content/article.php?story=20090216164752198
SAVE THE DATE:
For the forthcoming Book Launch of

WASHINGTON’S U STREET: A BIOGRAPHY

by:
BLAIR A. RUBLE

TUESDAY, NOVEMBER 2, 2010
Woodrow Wilson Center, 6th floor Flom Auditorium
1300 Pennsylvania Ave., NW
Washington, D.C. 2004
4:00-6:00 pm

About Washington’s U Street:
Duke Ellington grew up in the neighborhood; and diplomat Ralph Bunche, Supreme Court Justice Thurgood Marshall, and medical researcher Charles Drew were all members of the community. This book traces the history of the U Street neighborhood from its Civil War–era origins to its recent gentrification. Home throughout the years to important scholars, entertainers, and political figures, as well as to historically prominent African American institutions, Washington’s U Street neighborhood is a critical zone of contact between black and white America. Howard University and the Howard Theater are both located there.

Washington’s U Street: A Biography is published by Woodrow Wilson Center Press and the Johns Hopkins University Press.

About the Author:
Blair A. Ruble is uniquely equipped to undertake the history of this culturally important area. A prominent urbanist and longtime resident of Washington, D.C., he offers here a rare instance of original research told in a compelling voice. Ruble is director of the
Comparative Urban Studies Program at the Woodrow Wilson Center, as well as of its Kennan Institute, and the author of several books about the governance of cities worldwide.
Save_the_Date_Oct3.jpg






ICHIRO WATCH:

2 HITS LAST NIGHT
AVERAGE AT .313
REETIKA VAZIRANI






MORE ABOUT REETIKA VAZIRANI




Top of the Pile: What I’m Reading Now #6

September 6, 2010

Radha Says, the final poems of Reetika Vazirani will inevitably be read in the context of her life, and of course, her death. I’ll just get it out the way now: Vazirani took her own life, and that of her two-year old son in 2003. These poems have been collected from handwritten manuscripts she left behind; and that’s what’s important: the poems.  The editors, Leslie McGrath and Ravi Shankar, have done a masterful job in crafting this into a coherent collection and presenting it without any maudlin sentimentality or judgement, but with a great introduction and glossary. Basically, they avoid the Plath-effect as much as possible.
To be honest, I found them utterly baffling on my first read. The interwoven references to Indian culture and Hindu mythology left me disorientated in my own ignorance until I reached the astoundingly powerful  title poem ‘Radha Says’.  The voice here gathers such assurance that it transcends these cultural attachments to declare:
[   .  . .  ]               shun the toxic envy
for if you speak honestly
to yourself perhaps one morning
you will speak to God
It would be easy to say that the disorientating and fragmentary mature of these poems reflected Vazirani’s psychological state towards the end of her life, but the stretching thin of already tenuous links between images and abrupt shifts is both more embedded and more enduring in her work. Radha Says is infused by caesura. Vazirani forgoes any other kind of punctuation, solely using the white space of the page to break up her poems. The visual fragmentation echoes the often curious shifts in image: at times it as if her desire to be an economical poet has whittled away the underlying conceptual metaphor, leaving the reader to divine the connections between the phrases offered. Such a challenge is quite seductive to the reader, as in ‘Hotel Mogul and House Cleaning’:
your name appears in a script
cashmere socks unroll you
on video        Coco Chanel’s
nape plucked clean as boaters
Sita eyes the phone
money blurs in chateaux
It is clear from this collection, and from reviews of her other collections that I will definitely read in the near future (White Elephants, winner of the 1995 Barnard New Women Poets Prize, and World Hotel winner of the 2003 Anisfield-Wolf book award) that Vazirani was more than capable of escaping the marketing box of ‘Indian-American poet’. Despite the entrancing voices, the touches of personal classicism just strong enough to ignite my curiosity about Hindu mythology, what impressed me most about Radha Says was the formal experimentation. Doing away with punctuation and inviting the reader right into the centre of the poem, brandishing caesura in a confident and new way and exploring the problematic prose-poem in the Ghalib sequence, Vazirani never lets her formal play overtake the content. Those who insist on reading Radha Says as some kind of explanation of a mad-woman should take a second to look at her deftly handled and controlled forms before declaring these poems as evidence.
I think that is the beauty of this collection: the occasional flashes of a feeling of coherence, of understanding, in an otherwise terrifyingly spasmodic and uncertain female landscape.
*   *   *
Radha Says is published by Drunken Boat Media, who kindly gave me a review copy. This absolutely does not guarantee a good review, and I always state when I have received things to review that I have not paid for. Always objective—so you can believe that it’s good! (or terrible…)


Tricycle Daily Dharma

 
Deep Listening

If you have friends or relatives with whom you disagree about such things as the war in Iraq or the Israeli-Palestinian conflict, it can be painful. Practice deep listening: Listen without arguing, and try to hear what the other is really saying, remembering that, as Buddha pointed out, all beings wish to be happy and avoid suffering. A Buddhist practices nonattachment to views. If we human beings are going to stick around on this earth, we need to learn to get along not just with the people who share our views, but also, and more to the point, with the people who get our goat. And remember—we get their goat, too.

- Susan Moon, "Ten Practices to Change the World"

Tuesday, September 07, 2010

FREE WRITING WORKSHOPS:
www.dclibrary.org/mlk  or  http://www.dclibrary.org/node/10264
ELECTION DAY IN DC:

If you are interested in working at the polls on Election Day (September 14th primary) call 202 727-2525 for more information, or submit an Election Worker Application online at:
www,dcboee.org
JAMES BALDWIN
NEW BALDWIN BOOK OUT:

THE CROSS OF REDEMPTION by James Baldwin, edited by Randall Kenan.
Pantheon. $26.95.
The book is a volume of previously uncollected writings.



NEA Grant for first time residencies at VCCA
Quote of the Day:


Standing beside love is always justice.

 - Martin Luther King, Jr.
OBAMA WATCH:

Obama Takes on his GOP Critics in Labor Day Speech

Monday, September 06, 2010

SUSAN DEER CLOUD
SUSAN DEER CLOUD

POEM FROM MY FRIEND SUSAN DEER CLOUD:

Labor Day

is beginning in this old factory town
once home to Endicott Johnson Shoe Factory;
a cigar factory now the Lost Dog Café;
another factory for making spools
and factories whose names I never knew.
These days artists exhibit paintings in
The Spool MFG.  In concrete entry hangs
a blow up of turn of the century workers,
faces clumped together like dandelion strands
whose silk toughness could be blasted
into poverty by a hard economic wind.

I worked in a pen factory once,
in Liberty, New York.  My father’s
immigrant mother and father worked
at EJ stitching shoes.  My Czech grandmother
had a gift for languages so she translated
for the workers homesick for Russia, Germany,
Austria, Poland, Italy, Armenia, Romania.
People in this ghost factory town
like to reminisce about the boom days
when Endicott Johnson built houses
for its workers and gave them parks
with swimming pools and carousels.

The unions are busted now.
Grandchildren of the factory workers
often are the artists, poets and musicians
whose voices fill back up The Spool MFG
and Lost Dog.  The EJ factories remind me
of my nightmares made of dark brick
and knifed eyes.  And we with university degrees,
our grandparents’ and great grandparents’
American dream, are busted, stiffed
the way workers were before they fought
to have unions, and won.

An artist told me there used to be a bordello
between State Street and the train tracks.
Yes, those were flush days and flusher nights
when the whores had long tresses
and mouths the rose of this valley’s
wild geraniums.  A person could respect
prostitutes like that.  The first time
my father drove us downtown
I saw a woman sashaying under
the gay streetlights, sprouting pink hair
like cotton candy.  That’s how it was
when people got off work. 
They looked like bright candy.

It is beginning, Labor Day,
and we 21st century desperados get to
curse the bankers, CEOs, politicians, generals,
the real whores.  Sunday I drove
to the Iroquois Festival up north
to find beaded moccasins, the shoes
from before the factory machines
and time clock hands began
the ear-deafening dirge of producing shoes.
But tonight I am writing shoeless
in my garret, in the silence
of machines shut down and carousel
ponies bowing their painted heads
under the shot out lights.


                                © Susan Deer Cloud, 9.6.10, Labor Day


SUSAN DEER CLOUD