Thanksgiving week and the Hawk is Blowing:
ww.jazzonthetube.com/videos/coleman-hawkins/disorder-at-the-border.html
Tuesday, November 24, 2015
Sunday, November 22, 2015
SELECTED LETTERS OF LANGSTON HUGHES
Below is an excerpt of a talk I gave at Busboys and Poets (14th & V Street) on November 20th:
For years I had read letters written between Langston Hughes and Arna Bontemps. Their big book of letters was on a shelf not far from my desk when I worked at Howard University. I consulted in on many occasions. For some strange reason I never purchased this book for my personal collection. I did buy a copy (and reviewed ) of REMEMBER ME TO HARLEM: THE LETTERS OF LANGSTON HUGHES AND CARL VAN VECHTEN 1925 - 1964 edited by Emily Bernard. This book was published in 2001.
THE SELECTED LETTERS OF LANGSTON HUGHES contains letters from 1921 to 1967. Just reading the footnotes in this book can be as exciting and informative as the letters. Arnold Rampersad who has written a two-volume biography of Hughes did an excellent job putting this book together.
But why is this book important?
Despite all of his writing - Hughes was a private man. There continues to be ongoing speculation about his relationship with his father, Zora Neale Hurston, and even his sexual orientation. Hughes was an eyewitness to the New Negro Movement or Harlem Renaissance, his work was very political during the 1930s. He was one of the artists targeted for his Left wing politics in the 1950s. He influenced many of the artists who would emerge during the turbulent 1960s. In many ways the letters of Langston Hughes provides a window into American history. According to Rampersad the sheer number of letters and their quality has much to do with the basic love Hughes had for his people. Letters were a way of maintaining friendships and conducting business. Sometimes Hughes would write 30 letters a day.
Since Hughes was one of the few American writers to make his living primarily from his writing, his correspondence serves as a magnifying glass as to how difficult it is to make a living as a writer. He called himself a literary sharecropper toiling away for next to nothing on the publisher's plantation.
As editor Rampersad found the Langston Hughes letters "lyrical, romantic, flirtatious, ironical, sardonic, allusive, casual, objective or businesslike."
In the book the longest letters are to Claude McKay. The most letters he wrote to anyone was to Arna Bontemps. There are many letters that illustrate how supportive he was to younger writers like Ralph Ellison, Gwendolyn Brooks, Margaret Walker and Alice Walker.
For years I had read letters written between Langston Hughes and Arna Bontemps. Their big book of letters was on a shelf not far from my desk when I worked at Howard University. I consulted in on many occasions. For some strange reason I never purchased this book for my personal collection. I did buy a copy (and reviewed ) of REMEMBER ME TO HARLEM: THE LETTERS OF LANGSTON HUGHES AND CARL VAN VECHTEN 1925 - 1964 edited by Emily Bernard. This book was published in 2001.
THE SELECTED LETTERS OF LANGSTON HUGHES contains letters from 1921 to 1967. Just reading the footnotes in this book can be as exciting and informative as the letters. Arnold Rampersad who has written a two-volume biography of Hughes did an excellent job putting this book together.
But why is this book important?
Despite all of his writing - Hughes was a private man. There continues to be ongoing speculation about his relationship with his father, Zora Neale Hurston, and even his sexual orientation. Hughes was an eyewitness to the New Negro Movement or Harlem Renaissance, his work was very political during the 1930s. He was one of the artists targeted for his Left wing politics in the 1950s. He influenced many of the artists who would emerge during the turbulent 1960s. In many ways the letters of Langston Hughes provides a window into American history. According to Rampersad the sheer number of letters and their quality has much to do with the basic love Hughes had for his people. Letters were a way of maintaining friendships and conducting business. Sometimes Hughes would write 30 letters a day.
Since Hughes was one of the few American writers to make his living primarily from his writing, his correspondence serves as a magnifying glass as to how difficult it is to make a living as a writer. He called himself a literary sharecropper toiling away for next to nothing on the publisher's plantation.
As editor Rampersad found the Langston Hughes letters "lyrical, romantic, flirtatious, ironical, sardonic, allusive, casual, objective or businesslike."
In the book the longest letters are to Claude McKay. The most letters he wrote to anyone was to Arna Bontemps. There are many letters that illustrate how supportive he was to younger writers like Ralph Ellison, Gwendolyn Brooks, Margaret Walker and Alice Walker.
Fear never zips its pants after peeing.
- E. Ethelbert Miller
- E. Ethelbert Miller
Friday, November 20, 2015
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NEXT STOP JUPITER?
I'M 65! Today is "Bert Day" and it was a good B-Week. Many thanks to students at Marymount University and Northwestern High School (Maryland) for taking the time to read my memoir FATHERING WORDS. Wow -Such insight into the book and wonderful conversations.
Noon today I'll be at Busboys and Poets (14th) talking about letters written by Langston Hughes.
Looking forward to seeing a few dear friends.
Many thanks for BFF Grace for being the first to call (yesterday).
A number of projects in the works as I enter a new life cycle. A little disappointed in several things that didn't happen this fall. However, I'm pushing ahead. Next stop Jupiter?
Noon today I'll be at Busboys and Poets (14th) talking about letters written by Langston Hughes.
Looking forward to seeing a few dear friends.
Many thanks for BFF Grace for being the first to call (yesterday).
A number of projects in the works as I enter a new life cycle. A little disappointed in several things that didn't happen this fall. However, I'm pushing ahead. Next stop Jupiter?
Wednesday, November 18, 2015
MAKING THE CASE: CRITICS ON LITERATURE
Tuesday, November 24, 12:00 PM
MAKING THE CASE: CRITICS ON LITERATURE
MAKING THE CASE: CRITICS ON LITERATURE
The launch of a new series with the National Book Critics Circle, poet and critic Stephen Burt will give a lecture titled “The Poem Is You.” This event is free and open to the public. Book sales and signing to follow. Presented in partnership with the National Book Critics Circle.
Location: Whittall Pavilion, Thomas Jefferson Building (ground floor) <view maps>
Contact: (202) 707-5394
Contact: (202) 707-5394
Click here for more information.
Monday, November 16, 2015
Busboys and Poets
Friday, November 20, 2015 AT 14TH & V
Langston Room | 12:00 pm - 1:00 pm
E. Ethelbert Miller will discuss the SELECTED LETTERS OF LANGSTON HUGHES edited by Arnold Rampersad and David Roessel. Miller will examine this book and also discuss the importance of saving literary letters.
Friday, November 20, 2015 AT 14TH & V
Langston Room | 12:00 pm - 1:00 pm
E. Ethelbert Miller will discuss the SELECTED LETTERS OF LANGSTON HUGHES edited by Arnold Rampersad and David Roessel. Miller will examine this book and also discuss the importance of saving literary letters.
Friday, November 13, 2015
4 SHORTS
black faces protest
change is never a blue sky
white hands blocking sun
we die in small rooms
leaves keep falling to the ground
sickness loves winter
cold air undressing
sadness is a lonely thing
old man in a park
cry me a river
let the blues comfort me now
nothing floats like death
change is never a blue sky
white hands blocking sun
we die in small rooms
leaves keep falling to the ground
sickness loves winter
cold air undressing
sadness is a lonely thing
old man in a park
cry me a river
let the blues comfort me now
nothing floats like death
Wednesday, November 11, 2015
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Monday, November 09, 2015
MARYANNE POLLOCK
I ran into the artist Maryanne Pollock on Columbia Road this morning. She has an upcoming exhibit at the Forum Art Gallery, Rachel M. Schlesinger Concert Hall and Arts Center on the campus of Northern Virginia Community College (NOVA). The Artists Reception is Saturday, November 14th from 4-6 PM. Her show will be up until January 14, 2016.
Here is a link to Maryanne's website: www.maryannepollock.com
Here is a link to Maryanne's website: www.maryannepollock.com
Saturday, November 07, 2015
IPS
IPS Chair Report: November 6, 2015 (Excerpt)
E. Ethelbert Miller
Today marks our last IPS Board meeting at 1112 16th Street. Important decisions were
made here. In this space we discussed many movements, we invited our friends
and allies into our circle, we mentored new leaders, and we marked the passing
of people we loved. Just as history is determined and shaped by people, so does
a space or location provide its own narrative. This conference room for example
speaks loudly of our history, captured by the artistic hand of Andy Shallal.
Maybe there is a little Buddha inside all of us – and we know that Andy’s mural
might be erased but not the memories of the faces we look at whenever we enter
this room.
IPS is about ideas, and the love of ideas that speak of
freedom and justice. IPS is a seed more than brick. There is something
living and pulsating within the work we do. Next year we will move into a new
space, and it might be similar to Miles Davis deciding to run the Voodoo down
instead of playing Kind of Blue. Maybe
it will be like Lady Gaga changing an outfit but still singing a musical
classic with Tony Bennett. Yes, next year we give birth to the New – while
still upholding the pillars built by Marc Raskin, Richard Barnet and so many others.
Our move could not have been possible without the leadership
of Tiffany Williams.
Rumor has it that in our new space everyone will have a
window; perhaps this will mean we will have a better view of the world we wish
to improve. Hopefully our new space will
not just be a workplace but instead a new home.
Earlier this week I happened to be standing on Q Street, near the DuPont Metro. I was across
the street from where IPS used to be located.
History will make you weep at times if you keep following it. I stood
across from the old IPS and thought about the past. The weather was nice and so
I was comfortable. I could have stood there all day in celebration of sun and
wind. But this is not how we live. This is not how we struggle to speak for
those who are being displaced, who have no food, water, housing or land. This
is not how we try to end wars or protect children or embrace mother earth.
If we are blessed to move into a new space –then we must
rededicate our lives- and catch that second wind. Let us not grow comfortable
in our new home. Outside the New Year is coming and it will probably bring with
it the loud thunder of conflicts, despair, hatred and anger. Our task at IPS is to be ready. To hold the
hopes of deep wisdom in our hands – to guide the ships of our souls – to that
place the freedom singer Bernice Reagon once described as a place where there
is honey in the rock. Yes, sweet honey in the rock.
May our lives be filled with songs , may we dance with joy into endless
tomorrows.
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