Monday, February 06, 2012

If you're going through hell, keep going.

    - Winston Churchill

Sunday, February 05, 2012

Than a Month" with Filmmaker Shukree Tilghman and E. Ethelbert Miller
ITVS COMMUNITY CINEMA [DC] presents a FREE Community Screening of MORE THAN A MONTH, a Film by Shukree Hassan TilghmanPre-screening "Coffe and Conversation" ...
www.yelp.com/.../washington-more-than-a-month-with-filmm...
This afternoon I watched WHITE: A MEMOIR IN COLOR.  This film was sent to me by the filmmaker Joel Katz. I sent him this note:

I enjoyed your film very much. I saw it first as a film about adoption. I have so many friends (many from Korea) who are trying to explore this issue in their creative writing.
I like the father/son relationship that you capture in the film. Your father's death as the world is changing with Obama's election is very moving.
Leah comes across as the star; reminding me very much of the poet June Jordan. Fierce love on the screen...
I've been teaching memoir workshops - so I was pulled into the storytelling and the bases you touched.
This film should open the door to many different types of discussions. What type of world are we creating for our children?  How do we honor the work of our fathers?



Joel Katz and family

E-BOOKS:
http://www.eethelbertmiller.com/books.html
BRADY'S DAY IS TODAY.

 

Saturday, February 04, 2012


THE GREEN LAMA LIVES!
 
THE CREATION OF THE E-BOX

This morning I met with Karolina Gajdeczka at Mayorga (near Takoma Metro). Karolina will be highlighted in my E GALLERY ( www.ethelbertgallery.blogspot.com)  during the month of March.
She's the type of young writer I like to help. During our discussion of books and other matters, I realized it would be nice to put together a box of books for her. Over the last few years I've been giving books to charter schools in the DC area as well as the June Jordan School for Equity in San Francisco. Karolina and I joked about calling the box - Karolina's box. But maybe that sounds too much like Pandora. Anyway in keeping with everything (E)ssential I decided to call it the E-Box. I'll present it to Karolina in April - in celebration of National Poetry Month. Maybe this is something I will do every year. I've been fortunate (blessed) to meet new writers almost every week. I could present an E-Box to the writer I think has promise or a person I feel we need to watch for future great things. The E-Box might just become as successful as The Miller Classic, the softball game I sponsor which is held every June at the Bennington Writers Seminars in Vermont. This June will mark the 6th year the game will be played. A way for poets to outscore those fiction writers.

KAROLINA GAJDECZKA photo by Ethelbert
The Washington PostSaturday, February 4, 2012 6:29:20 AM
LOCAL NEWS ALERT

Park Police raid Occupy D.C. camp


U.S. Park Police in riot gear are enforcing no-camping regulations at the Occupy D.C. encampment this morning.


Read more at:
http://www.washingtonpost.com/blogs/the-buzz/post/occupy-dc-raided-by-park-police-live-updates/2012/02/03/gIQAl3f2oQ_blog.html
  

Upcoming Events

This season's programs explore the terrain of poetry at the crossroads of chaos, politics, and craft. We invite you to experience a wide array of established and emerging poets in conversation, readings, and multi-arts programming nationwide. 
line
Wednesday, Feb 8, 8:00pm
New York, NY
 
POETRY AS SURVIVAL:  AN EVENING WITH GREGORY ORR

A conversation exploring the intersection between creative expression and mental health—Gregory Orr will present and converse with Arts in Mind curator Joshua Wolf Shenk and Donald Rosen, the CEO and Medical Director of the Austen Riggs Center.

Admission is free.

Co-sponsored by Arts in Mind, the Sandor Ferenzci Center at the New School in New York City, and the Erikson Institute for Education and Research at the Austen Riggs Center.

The New School's Arnold Hall
65 West 13th Street, 2nd floor 
line
Friday, Feb 10, 5:00pm
New York, NY
 
LITERARY LEGACY: TWO WRITERS IN CONVERSATION ON CRAFT & PROCESS with Mark Doty and Tracy K. Smith 
Literary Legacy invites you to engage with Mark Doty and Tracy K. Smith as they converse on topics of craft and their process. Moderated by Darrel Alejandro Holnes.

                 

Mark Doty
 is the author of numerous collections of poetry, most recently Fire to Fire: New and Selected Poems (2008), which received the National Book Award; School of the Arts(2005); Source (2002); and Sweet Machine (1998).

Tracy K. Smith's first collection, The Body's Question (2003), won the Cave Canem Prize in 2002. Her second book, Duende ( 2007), won the 2006 James Laughlin Award from the Academy of American Poets. Her third collection, Life on Mars, was published by Graywolf Press in 2011.  
Co-sponsored by the NYU Creative Writing Program. 
Admission is free.

Lillian Vernon Creative Writers House
New York University
58 West 10th Street 
line

Friday, February 03, 2012

Visit the E GALLERY for a conversation with poet giovanni singleton:

www.ethelbertgallery.blogspot.com 


BLACK HISTORY MONTH FILM SERIES
WILL YOU BE JOINING US THIS MONTH?  PLEASE LET US KNOW

WE SHALL NOT BE MOVED - FEB 5
A first hand account of how African-American churches played a key role in the civil rights struggle.  The film chronicles the non-violent revolution to "redeem the very soul of America" during the 1950s and 60s



DUKE ELLINGTON'S WASHINGTON - FEB 12
This documentary tells the story of the strong African-American community that flourished in Washington before the Harlem Renaissance, nurturing a stream of shining talents like Duke Ellington, Thurgood Marshall, and Ralph Bunche.  This is a must-see film for Washingtonians who love the city's history.
 
 
FREEDOM ON MY MIND - FEB. 26
 This Academy Award-nominated documentary tells the story of efforts to register African-American voters in 1960s Mississippi--against tremendous social and governmental pressures--and the formation of the Mississippi Freedom Party.  This film inspires and challenges us even today.

Showtime is 2:00pm at our office located at 242 Peabody Street, NW  A light lunch will be served.  Please be sure to give us a call to RSVP at 202-506-2253.  We want to make sure we have enough food and room for everyone!
Like us on Facebook

Paul E Nelson

Some February American Sentences

Written by Splabman on Feb 01, 2012 08:41 pm
A form Allen Ginsberg invented to “Americanize” haiku, these are snapshots of the moment written by Paul E Nelson, one a day, for over eleven years. These are a sampling from most Februaries of the practice. More info at www.AmericanSentences.com. Below see the email exchange with people entrusted to manage Allen Ginsberg’s ...

Thursday, February 02, 2012


The Washington Post will host a panel discussion in partnership with Howard University's Women as Change Agents titled 'Through the Looking Glass: Black Women in America.' The event will take place on Wednesday, February 29 at Howard University's Blackburn Center beginning at 6:30pm. The discussion will be led by Michelle Singletary, nationally syndicated Personal Finance Columnist for The Washington Post. To RSVP or to submit a question for the panel, please e-mail behindtheheadlines@washpost.com.

RELATED STORIES

Washington Post Focus on Black Women
http://www.theroot.com/blogs/black-women/washington-post-spotlights-black-women

Survey paints portrait of black women in America
http://www.washingtonpost.com/politics/survey-paints-portrait-of-black-women-in-america/2011/12/22/gIQAvxFcJQ_story.html

African American women see their own challenges mirrored in Michelle Obama’s
http://www.washingtonpost.com/politics/african-american-women-see-their-own-struggles-mirrored-in-michelle-obamas/2012/01/19/gIQA5k4DMQ_story.html
WISLAWA SZYMBORSKA
 
http://tinyurl.com/7q97pgz

Poland¹s 1996 Nobel Prize-winning poet Wislawa Szymborska, whose simple
words and playful verse plucked threads of irony and empathy out of life,
has died. She was 88.

Szymborska, a heavy smoker, died in her sleep of lung cancer Wednesday
evening at her home in the southern city of Krakow, her personal secretary
Michal Rusinek said.
Park Triangle Productions
Reel Talk - No.9
Park Triangle Productions
What's Happening at Park Triangle Productions
Our New Web Series: The Angle
Our Documentary: Close Ties
Busboys and Poets features The Angle
Greetings!

It's been a long time but we're glad to be back with another edition of Reel Talk. We've been hard at work bringing our clients' projects to life, along with a few in-house creative endeavors. We thought it was a good time to let you in on what we've been up to when we're not working behind your scenes.

Sincerely,

Gemal Woods
Park Triangle Productions

Park Triangle Productions
 The Angle: An Eclectic Documentary Web Series
The Angle Web Series At Park Triangle, we are combining the power of video with the reach of the internet. In November, we launched The Angle (www.theangleshow.com), an eclectic documentary web series. The Angle features smart commentary from everyday people on a wide range of topics affecting American life and culture, all with the creative, and sometimes quirky, twist that you've come to expect from us.

Go to www.theangleshow.com and check out the latest episode featuring an art studio and gallery in the nation's capitol that gives emerging artists with developmental disabilities the space to express their view of the world through art. See how Art Enables, view previous episodes and so much more.

Close Ties: Park Triangle Documentary Shines a Spotlight on New Orleans
Close Ties Documentary
Park Triangle went to New Orleans, LA, to get an intimate look at a modern rites of passage ceremony taking hold in the city's African-American community. While the statistics and evening news paint grim pictures of the prospects for young African-American boys in Nola, Dr. Andre Perry and Wilbur "Chill" Wilson, set out to give the city's young black males something different to aspire to and encourage commitment to a life of achievement and success.

Perry and Wilson created a tie tying ceremony that brings African-American teenage boys from area schools together with African-American men, role models and mentors who are succeeding in a variety of professions. We took our cameras to New Orleans to spend time with Perry and Wilson, and witness one of these moving events. The result was an encouraging story of community and hope.

The film premiered in New Orleans, was aired on the local NBC affiliate, and is now making the rounds on the film festival circuit. The next screening will be at the Texas Black Film Festivalin Dallas Feb 1-4. We'll keep you posted about upcoming screenings and broadcasts around the country.

Busboys and Poets features the Angle in FOCUS IN!
The Angle at Busboys and Poets
 

Join us in the month of February for the Busboys and Poets' film series, Focus In. The Focus In film series screens important films by filmmakers from around the corner and around the globe and highlights social justice, peace and community value. Come enjoy new commentary from The Angle and live performances with area artists. 

We'll be at a different Busboys and Poets location each week. The screenings are free and open to all.

Mon. 2/6/12 7-9pm @ Busboys and Poets Hyattsville (MD)
Sun. 2/12/12 8-10pm @ Busboys and Poets 14th & V (DC)
Sun. 2/19/12 7-9pm @ Busboys and Poets Shirlington (VA)
Sun. 2/26/12 8-10pm @ Busboys and Poets 5th & K (DC)
About Park Triangle Productions
Park Triangle Productions is a world-class production company comprised of skilled professionals who combine real-world abilities with true creative ambition. Our team of writers, video and design experts includes dedicated specialists, who ensuring that every step of a Park Triangle Productions project is given the focus and experience it deserves.

Like us on FacebookFollow us on Twitter
Park Triangle Productions
5511 Illinois Avenue NW
Washington, District of Columbia 20011
202-545-8110
Park Triangle Productions

EAR-UP!  WITH JOHN PARKS
 
Johnny Otis: The Godfather of Rhythm & Blues



There is nothing coincidental about death and dying unless it is associated with people whose lives were intertwined. Recently, Jazz and R&B bandleader Johnny Otis passed away on the 17th of January 2012. He has been referred to as The Godfather of Rhythm & Blues. By 1950 he had become a defacto talent scout having discovered a number of artists who would eventually have successful careers in their own right. Arguably the best known person that Otis discovered was Etta James. Coincidentally, James died three days after Otis. Sadly their passing marks the end of an era. 


“When I’m gone and other of my era are gone,” he foretold in a 2000 San Francisco Chronicle interview,” there will be no more of this music produced. I don’t care how much these people think they’ve got it down with their little tapes. Blues, rhythm and blues and jazz is doomed as we know it.” In some ways Otis was right. He had been at the forefront of what would come to be known as Rhythm and Blues and Rock ‘n’ Roll. From his perspective, then a 79 year old musician, there seemed to be little respect for the social, cultural and historical significance of these American music genres. 


This assessment was captured more than a decade earlier in 1989 by Terry Gross, executive producer and host of NPR’s Fresh Air, as a lamentable observation of the state of the African American community. “What a strange thing has happened as the years went by,” Otis said. “The roles reversed. Today, our audience for blues-oriented music is white. And the black youngsters are not interested in it, and is something that pains us for many reasons – not just personally, but when you start to think from a cultural standpoint, how much we seem to have lost over the past 20 years or so in the African-American community, where blues and jazz artistry is concerned.”


Johnny Otis was a Greek American born on December 28, 1921 in a black neighborhood in Berkeley, California. His birth name was Ionnis Alexandres Veliotes. Though white by birth, socially, culturally Otis was black by choice. He was no bleeding heart liberal and he had a genuine affinity and empathy for blacks and black America. Otis later explained that he couldn’t think of himself as anything other than being black. 


Otis began his career as a drummer. His first professional gig was working for Count Otis Matthew’s West Oakland House Rockers in 1939. Otis has also played with tenor saxophonists Lester Young and Illinois Jacquet. Jacquet was a successful big band leader in the 1940s who said that the height of his career made over $200,000. Otis also played with the Count Basie Orchestra. He moved to Los Angeles after Jimmy Witherspoon and Nat “King” Cole urged him joining Harlan Lenard’s Kansas City Rockets at the Club Alabam in 1943. He scored first hit with his own band in 1945 with “Harlem Nocturne.”


In the post WWII years the popularity of big bands was waning as musical tastes and musical styles began to change. Otis reorganized his band to include the electric guitar, the instrument that created a new sound as well as a deviation from the honky tonk, boogie-woogie, barrellehouse blues styles. These musical styles were the basis of the rhythm and blues genre that emerged in the late 1940s early 1950s. All of the instruments, with the exception of the electric guitar were the standard instruments of a jazz band. The electric guitar, although it eventually passed the critics gauntlet before its acceptance as a legitimate jazz instrument, lay at the threshold of a whole new musical genre, Rock & Roll. But Otis’ music remained closest to blues in style.


Otis’ musical path and talent as a musician, bandleader and observer of talent lead him to the discovery of a laundry list of talented singers. Among them are Ernestine Anderson, Esther Phillips, aka Little Esther, Willie Mae “Big Momma” Thornton, Etta James, the Robis (Coasters), Pie DeSanto, Hank Ballard and the Midnighters, Jackie Wilson, Little Willie John. Otis had his own record label, Blues Spectrum which is credited with recording Big Joe Turner, Gatemouth Moore, Amos Milburne, Richard Berry, Joe Liggins, Roy Milton, Eddie “Cleanhead” Vinson, Charles Brown and Louis Jordan.
He produced the original “Hound Dog” sung by “Big Momma” Thornton. It was Otis’s band that backed her up on the recording in 1953. “Hound Dog” was a seminal hit for Elvis Presley in 1956. Similarly, Otis produced and played on Johnny Ace’s “Pledging My Love.” Otis also produced a number of Little Richard’s early recordings. Otis also performed on Charles Brown’s 1945 hit “Drifting Blues.”


Otis was also a disc jockey on KPOX radio and anchored another radio show KPFA, both in Los Angeles. It eventually lead to “The Johnny Otis Show,” a weekly variety show that ran on Los Angeles TV from 1954 to 1961. After a string of Top 10 Billboard hits he toured across the country with his California Rhythm & Blues Caravan. A Johnny Otis fan left an affectionate comment to an article in the San Francisco Chronicle who remembered Otis and his TV show traveling act: 


“I realize now how very fortunate I was in time and geography just to be able to watch his weekly rhythm and blues show on television…and the music ingrained itself so deeply…His R&B Caravan hit the road, and at one time offered between the stapled covers with photos in boxes of the performers. So you could have a souvenier and for all times remember the evening that the Johnny Otis rhythm and blues caravan powered through town.”


Otis played the drums as well as the piano and vibraphone and is also credited as a producer, songwriter, and visual artist. He was also wrote several books: Listen To The Lams (1968), Upside Your Head! Rhythm & Blues on Central Avenue (1993), Colors and Chords – The Art of Johnny Otis (1995), and Johnny Otis – Red Beans & Rice and Other Rock ‘n’ Roll Recipes (1997). As a songwriter Otis is credited with “Willie and the Hand Jive (1958),” “Roll With Me Henry (1955),” and “Every Beat of My Heart” recorded by Gladys Night in 1961.” “Roll With Me Henry” was renamed “Wallflower” and was the song that put Etta James on the map. 


In the 1960s Otis became involved politics largely because the arrival of the Beatles (aka the British Invasion) and the popular craze that followed suffocated his music career. “…the white boys from England came over with a recycled version of what we created. We were out of business, man,” Otis explained in a 1994 interview. After an unsuccessful run for a seat in the California State assembly Otis served as the chief of staff for Mervyn Dymally. Dymally eventually became a United States Representative and California’s first black lieutenant governor (1975-1979). 


The late rock guitarist Frank Zappa, who was influenced by Otis’ music and facial hair, managed to get Otis back into the studio through a deal with Kent records. The result was the 1969 album Cold Shot! from which the song “Country Girl” topped 29 on the R&B charts. 


1970 was a resurgent year for Otis music career. His contact with Zappa had lead to a TV appearance, the album Cuttin’ Up for the Epic lable and a gig as a headliner of the Monterey Jazz Festival. His band turned out to be a Johnny Otis revue featuring Esther Phillips, Big Joe Turner, Roy Brown and Eddie “Cleanhead” Vinson. 


Since then Otis’ touring, recording steadily grew until failing health caused him to cut back. He was inducted into the Rock & Roll Hall of Fame as a songwriter and producer in 1994 and in1999 released a three CD boxed set The Johnny Otis Rhythm & Blues Caravan: The Complete Savoy Recordings. A comprehensive Johnny Otis discography can be found at www.bluesnexus.com


Otis is the subject of a 2010 biography by George Lipsitz Midnight at the Barrelhouse and Bruce Schmiechen is directing an up-coming documentary film about Otis’ life, Every Beat of My Heart: The Johnny Otis Story


Johnny Otis was married to Phyllis Walker for 60s they had four children; Janet, Laura, Shuggie and Nicky. The boys, Shuggie (Johnny Jr.) and Nicky are musicians as well and have recorded with their father.



Here is a complete Johnny Otis show
Hound Dog
Hand Jive - The Johnny Otis Show w/ Lionel Hampton at the end
Crazy Country Hop - The Johnny Otis Show 1958
Double Crossing Blues w/Little Esther
Barrelhouse Blues
Harlem Nocturne
Cold Shot
Low Down Dirty Dog Blues
IPS: Local Events

A Conversation with IPS Fellow Phyllis Bennis and Ethelbert Miller

February 8, 2012, 1:00 pm–2:00 pm
IPS Conference Room
1112 16th Street NW, Suite 600
Washington, DC

photo of PhyllisPoet, writer and IPS Board Chair E. Ethelbert Miller will interview IPS Fellow Phyllis Bennis about her life and work.
Today, Phyllis is a leading scholar-activist and voice of reason on the Middle East and on the U.S. wars in Iraq and Afghanistan. She works in the media and with broad social movements challenging U.S. wars and Israeli occupation, providing education and inspiration for a host of people and organizations.
How did she come to this work?  What are her roots in the countries she works on?  How does she view the past decade of anti-war activism, and what does the Arab Spring have to do with it all?  How does she see the shifting debate on Israel and Palestine and the organizing in the U.S., in the Middle East, and globally on this issue?
Come and find out.


Panel Discussion on Arts Funding in DC

February 8, 2012, 6:00 pm–8:00 pm
Busboys & Poets
2021 14th Street NW
Washington, DC

logo for funding arts eventDC government funding for the arts has declined over 65% from Fy09 to Fy12, and private funding is down as well. Notably, the Meyer Foundation decided in Fy12 to stop making grants to the arts in the District. Additionally, the National Capital Arts and Cultural Affairs funding program for DC arts organizations with budgets over one million dollars was cut by congress from 9.5 million in Fy09 down to 1 million for Fy12. What will all of these cuts mean for the District of Columbia, its residents, youth, and tourists? Join D.C. Commission on the Arts and Humanities' director Lionell Thomas, Busboys & Poets founder and IPS boardmember Andy Shallal, and Ward 2 councilmember Jack Evans for a panel discussion on "Arts Funding in DC" moderated by Robert Bettmann of the DC Advocates for the Arts.

The panel will be taking questions from attendees. Bring your love of the arts, bring your friends, and bring your questions. Presented by the DC Advocates for the Arts in partnership with Busboys & Poets and the Institute for Policy Studies.
  • Panel discussion: 6:00-7:00 pm
  • Artsup Happy Hour: 7:00-8:00 pm

Wednesday, February 01, 2012



Work like you don't need the money. Love like you've never been hurt. Dance like nobody is watching.

       -Mark Twain 

giovanni singleton
IS IN THE E GALLERY THIS FEBRUARY
www.ethelbertgallery.blogspot.com
HAPPY BIRTHDAY LANGSTON

 http://www.eethelbertmiller.com/essay5.html
 BOVEY NEWS:
 
Dear friends,

Hope this email reaches you well today. I returned from Hong Kong and Shanghai last week for Hugo Boss' project. Below are links to some photos and press coverage for your amusement.

My solo exhibition is titled "BLOOM" featuring a dozen of my latest cut paper works, ten of which debuted in this show at IFC (International Finance Center) in Shanghai.

The window installation was for Hugo Boss' Year of the Dragon campaign in Asia. It was featured in 16 selected Hugo Boss' stores in 10 major cities in Asia, including Beijing, Shanghai, Chengdu, Shenyang, Shenzhen, Hefei, Macao, Hong Kong, and Singapore.



Best wishes to you in the Year of the Dragon,

Bovey
 
Bovey Lee Studio
www.boveylee.com
BoveyBlog
Facebook

Tuesday, January 31, 2012

KWELI JOURNAL

January 2012 Issue


Our original thought for January/February was to feature literature on civil-rights themes honoring the legacy of Dr. Martin Luther King Jr. In a meeting with Kweli board members, the conversation quickly moved to the broader concepts of protest and social justice and morphed into discussion of “Occupy Wall Street.” “Could we put out a call for submissions on ‘occupation literature’?” “Was there such a thing?” We did, and there is. Writers responded enthusiastically, making our selection process delightful, but difficult. Instead of posting one poem in this issue, we made an exception to run three from Ed Pavlic: “ThirstLove,” “Nook and Boon (Of Rock & Hard Places) : ‘Contemplation,’ and “Verbatim : Breaking News ; March 25, 2011.” Then, we got a “bonus.” Pavlic, an award-winning poet and University of Georgia professor, had mentioned our little upstart online literary journal to the visionary poet Adrienne Rich. She offered encouraging praise and wondered, Pavlic said, “if Kweli would be interested in two new poems of hers?” for the social justice issue. Indeed, we are thrilled to present them, “Suspended Lines” and “Undesigned,” in this issue. Our nonfiction piece is “Sheer Like Gauze,” an essay about Darfur that is as lyrical and ethereal as its title, by Jess Hagemann, an award-winning Midwestern writer who is working on a “pseudo-graphic novel with collages.” In fiction, we offer “Straight Dollars or Loose Change,” by LaToya Watkins, a novelist, editor and doctoral student in Texas. Her story enters the life of a woman visiting a brother in prison. Please read these works in our nonfiction, fiction and poetry sections and see the writers’ bios on the contributor’s pages. 
Angela P. Dodson, Content Manager

Laura Pegram
Founding Editor




CALL FOR SUBMISSIONS
 
New Reading Period:
September 1 - April 1
 
Open call for submissions. Upcoming themed issues include:
 
August 2012:
Travel issue
 
September 2012:
Labor/blue collar issue
 
Please see our website for details:
http://www.kwelijournal.org
ThirstLove by
Ed Pavlic


(Excerpt)

The place is extent : set on the table; / exact : : raw spool of yarn and a glass of red wine / A candle burns in the glass burns / an ellipse above the shadow of your head on the wall. / Acclimate, in eye-pulse curette the light. / You toss the spool and the yarn loops / over the tarnished arm, / the lamp hangs by its neck from the ceiling. /
Undesigned by
Adrienne Rich


(Excerpt)

i.
It wasn’t as if our lives depended on it— a torrential cloudburst
scattering mirrors of light :: sunset’s prismatics
in a Tucson parking lot
then the desert’s mute inscrutable
way of going on
but it was like that between us :: those
moments of confrontation caught in dread
of time’s long requirements
"Straight Dollars or Loose Change" by
LaToya Watkins

(Excerpt)

I been sitting here, waiting for them to lead you in. Fifteen minutes feel like fifty. I distract myself by counting the number of water stains on the ceiling. Then I figure how many women in the room. How many men? Children? The brother and sister that were carrying on during the bus ride up here are now begging their momma for money. Banging on the glass of the vending machine again and again. They stop when one of the guards finally stomps over and motions for them to sit. Stay. Some folks are pacing now. Others holding up the wall. We are all waiting. Waiting for the sound of locks to spring open
Sheer Like Gauze by
Jess Hagemann


(Excerpt)

Refugees are the new gypsies: ancestral race uprooted and forced to move. The tents they are given--flimsy as gypsy tents, meant for short-term shelter and easy disassembly. But refugees in the Darfur region of Sudan have lived in these camps for years. The curtains are sheer and through them I see a fading pain, giving way to the emptiness of apathy.
 No bricks but tents. Over all of them a star-bright sky. No music but tears. In every tent, a dwindling campfire. 
Copyright © 2012 Kweli Journal, All rights reserved.
You are receiving this email because you signed up online and requested updates for Kweli Journal.
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Kweli Journal
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