Leon Damas Centennial The Department of African Studies and the Department of World Languages and Cultures would like to invite the community to the celebration of the 100th anniversary of the birth of Leon G. Damas, Ph.D., co-founder of the Negritude Movement in Paris in the 1930s and former professor at Howard University, at 3 p.m. Thursday, April 5, in the auditorium of the Blackburn Center. There will be a panel discussion on the life and work of Leon Damas by Keith Warner, Ph.D., former chair of the Howard University Department of Romance Languages; Marie-Marcelle Racine, Ph.D., professor of French and Francophone Studies at the University of the District of Columbia; Richard Sterling, Ph.D., professor of French at Bowie State University; Sulayman Nyang, Ph.D., professor of African Studies, and E. Ethelbert Miller, director of the Afro-American Resource Center. The keynote speech will begin at 6 p.m. in the Gallery Lounge of Blackburn Center by renowned novelist, author and teacher from Guadeloupe, Maryse Conde, Ph.D., professor at Columbia University. The title of her lecture is “In Search of Negritude: A Writer’s Personal Journey.” The event is co-sponsored by the Department of Afro-American Studies, the Department of History and the Department of Sociology/Anthropology. For more information, call 202-238-2328.
Saturday, March 31, 2012
Walkin'
Jersey Joe Walcott
jabs- then stops -he
takes a stroll away
from the man he is
boxing -
a fist stops
in mid-air watching
him look as pretty
as any knockdown.
- E. Ethelbert Miller
Jersey Joe Walcott
jabs- then stops -he
takes a stroll away
from the man he is
boxing -
a fist stops
in mid-air watching
him look as pretty
as any knockdown.
- E. Ethelbert Miller
THE E MAG
Treve de blues.
-Leon Damas
Compassion is my art.
-Grace A. Ali
God makes stars. It's up to producers to find them.
-Samuel Goldwyn
MY GUEST TODAY IS THE ARTIST ANIKE ROBINSON.
Q. When did you get the idea for your Altar Ego art project? Is it linked to any texts that you read?
I got the idea while I was preparing to go to Hawaii for an art reception. I love the possibilities that body painting allows. There can be a transformation that makes one feel more comfortable in their skin, at least that has been my experience. Last summer I was painting a writer friend of mine and we thought we should write background stories for who we became once painted. After seeing the painting of mine, entitled Reddrrum, at Manifest in Hawaii, I knew I wanted to extend this idea of the Altar Ego. I thought painting a lot of friends and would make for great photographs and offer people themselves as art work on canvas. The only texts that I considered included the writing I had done to go with some of the images people I had already painted.
Q. What happens when you paint over a black person's color? Is there any relationship to corking and wearing blackface?
When I paint a black or person of color they are painted. I use stage paint that is opaque. The colors come out as vibrate, if not more so, on brown skin. For whatever reason the second part of that question makes me angry. This is nothing like blackface, we are not imitating ourselves to entertain others. This project is about freeing one's self or becoming more connected to who we know and feel we are inside. Many of the people who have agreed to be a part of this project have expressed more confidence and power once painted. They have explained, in writing, that their body image issues go by the wayside and they become the more powerful being they feel they cannot be in everyday life.
Q. What are some of the large philosophical questions behind your art project?
A long time ago my mother gave me the book Women Who Run With the Wolves. That was so long ago I do not recall the words in book but I remember the spirit of the words. Over the past twenty years I have looked for people like me...we seem to gravitate towards each other. Some of us practice Voodun others are Buddhists or Christians but all have a spirited shine that keeps us questioning, creating, and more importantly we are becoming more comfortable with ourselves. I have an altar and several friends who give me advice regarding my actual altar and the one that lives within me. For many nations, cultures, peoples, painting and adorning one's self is/was a call to ceremony. In many ways, those of use who find ourselves on a path we "blaze" alone, have a sense that our milestones in life are not honored in a spiritual and loving way. Instead some of us tattoo ourselves, go to Burning Man, write, perform, paint, reach to the past and bring ceremonies to our front porches, burning sage, calling on the ancestors we see that we are a small sect. Altar Ego is an opportunity to acknowledge members in this community, to work with them through the painting and hopefully give something to them...something I owe them for running with me and keeping me sane and safe all the while.
Q. Is it possible to leave one's ego at the altar?
I have heard it is possible. I have heard this through some of the people who practice different forms of Buddhism. I don't know that we can ever, at least as Americans, completely leave our egos behind. They loom large in DC but if for a moment we can let our egos fall to our feet, leave them at any safe altar I think we can find in ourselves someone who is a more satisfied person. I want to be the person who can be happy without material gain and a constant pat on the back. And there are moments, short though they are, when I am stripped of a few ego layers (I am usually alone at those times, safer that way) and I feel right with the world and pray for everyone living through this lifetime. But then the moment goes, I wonder were my next pay check is coming from, if I am good enough, if I wrote the right thing for that grant application, if I am cooler than the girl I once was...and I have try again on another day.
More information about Anike:http://sweetroot7.wordpress.com/anike-robinsons-resume/
Treve de blues.
-Leon Damas
Compassion is my art.
-Grace A. Ali
God makes stars. It's up to producers to find them.
-Samuel Goldwyn
MY GUEST TODAY IS THE ARTIST ANIKE ROBINSON.
Q. When did you get the idea for your Altar Ego art project? Is it linked to any texts that you read?
I got the idea while I was preparing to go to Hawaii for an art reception. I love the possibilities that body painting allows. There can be a transformation that makes one feel more comfortable in their skin, at least that has been my experience. Last summer I was painting a writer friend of mine and we thought we should write background stories for who we became once painted. After seeing the painting of mine, entitled Reddrrum, at Manifest in Hawaii, I knew I wanted to extend this idea of the Altar Ego. I thought painting a lot of friends and would make for great photographs and offer people themselves as art work on canvas. The only texts that I considered included the writing I had done to go with some of the images people I had already painted.
REDDRUMM |
Q. What happens when you paint over a black person's color? Is there any relationship to corking and wearing blackface?
When I paint a black or person of color they are painted. I use stage paint that is opaque. The colors come out as vibrate, if not more so, on brown skin. For whatever reason the second part of that question makes me angry. This is nothing like blackface, we are not imitating ourselves to entertain others. This project is about freeing one's self or becoming more connected to who we know and feel we are inside. Many of the people who have agreed to be a part of this project have expressed more confidence and power once painted. They have explained, in writing, that their body image issues go by the wayside and they become the more powerful being they feel they cannot be in everyday life.
Q. What are some of the large philosophical questions behind your art project?
A long time ago my mother gave me the book Women Who Run With the Wolves. That was so long ago I do not recall the words in book but I remember the spirit of the words. Over the past twenty years I have looked for people like me...we seem to gravitate towards each other. Some of us practice Voodun others are Buddhists or Christians but all have a spirited shine that keeps us questioning, creating, and more importantly we are becoming more comfortable with ourselves. I have an altar and several friends who give me advice regarding my actual altar and the one that lives within me. For many nations, cultures, peoples, painting and adorning one's self is/was a call to ceremony. In many ways, those of use who find ourselves on a path we "blaze" alone, have a sense that our milestones in life are not honored in a spiritual and loving way. Instead some of us tattoo ourselves, go to Burning Man, write, perform, paint, reach to the past and bring ceremonies to our front porches, burning sage, calling on the ancestors we see that we are a small sect. Altar Ego is an opportunity to acknowledge members in this community, to work with them through the painting and hopefully give something to them...something I owe them for running with me and keeping me sane and safe all the while.
Q. Is it possible to leave one's ego at the altar?
I have heard it is possible. I have heard this through some of the people who practice different forms of Buddhism. I don't know that we can ever, at least as Americans, completely leave our egos behind. They loom large in DC but if for a moment we can let our egos fall to our feet, leave them at any safe altar I think we can find in ourselves someone who is a more satisfied person. I want to be the person who can be happy without material gain and a constant pat on the back. And there are moments, short though they are, when I am stripped of a few ego layers (I am usually alone at those times, safer that way) and I feel right with the world and pray for everyone living through this lifetime. But then the moment goes, I wonder were my next pay check is coming from, if I am good enough, if I wrote the right thing for that grant application, if I am cooler than the girl I once was...and I have try again on another day.
ANIKE ROBINSON |
More information about Anike:http://sweetroot7.wordpress.com/anike-robinsons-resume/
Is this the type of poem my mother warned me about?
I don't won't to cry no more
No more young boys gone
No more blood in my songs.
Let God call 911
- E. Ethelbert Miller
No more young boys gone
No more blood in my songs.
Let God call 911
- E. Ethelbert Miller
THE NEW ISSUE OF POET LORE IS OUT.
Poet Lore, Vol. 107 No. 1/2
WWW.POETLORE.COM
Poet Lore, Vol. 107 No. 1/2
Spring/Summer 2012
Poems by Denise Duhamel, Maxine Kumin, David Ray, Vuong Quoc Vu, Dan Turèll, and others. "World Poets in Translation": Thomas E. Kennedy introduces a portfolio of translated poems by Dan Turèll (Denmark). Essay& Reviews: Nox by Anne Carson, That This by Susan Howe, One with Others [a little book of her days] by C.D. Wright, torch song tango choir by Julia Sophia Paegle, Flamenco Hips and Red Mud Feet by Dixie Salazar, Human Nature by Gary Soto, Rookery by Traci Brimhall, Say So by Dora Malech, and Incarnality: The Collected Poems by Rod Jellma |
WWW.POETLORE.COM
This morning I gave Karolina Gajdeczka her E-Box. She was one happy writer. Spring is here - may all the poets bloom.
KAROLINA photo by Ethelbert |
ETHELBERT & KAROLINA photo by Denise King-Miller |
Friday, March 30, 2012
IN THE NEWS:
Saddi Khali, a journey through the lens
Times LIVE
He met teachers like E Ethelbert Miller, Tom Dent, Amiri Baraka and Keorapetse Kgositsile but soon realised that he could not survive on writing alone.
Saddi Khali, a journey through the lens
Times LIVE
He met teachers like E Ethelbert Miller, Tom Dent, Amiri Baraka and Keorapetse Kgositsile but soon realised that he could not survive on writing alone.
|
FROM PINSKY TO POETRY/FROM POETRY TO PINSKY
Poet Robert Pinsky sent me a copy of his new poetry/jazz cd.
POEMJAZZ brings together Pinsky and Laurence Hobgood.
It's the outgrowth of recordings they did back in August and December 2011.
POEMJAZZ treats a voice speaking poetry as having a role like that of a horn:
speech with its own poetic melody and rhythm, interacting with what the music
is doing. The variations in pitch and cadence are those inherent in the words
themselves, as they make their way through the lines: the language true to
itself while adapting its rhythms and pitches to counterparts in the music.
-Robert Pinsky
Back in 1998 Pinsky published THE SOUNDS OF POETRY.
Find a copy for your pocket.
Poetry remains a vocal and bodily art.
Poet Robert Pinsky sent me a copy of his new poetry/jazz cd.
POEMJAZZ brings together Pinsky and Laurence Hobgood.
It's the outgrowth of recordings they did back in August and December 2011.
POEMJAZZ treats a voice speaking poetry as having a role like that of a horn:
speech with its own poetic melody and rhythm, interacting with what the music
is doing. The variations in pitch and cadence are those inherent in the words
themselves, as they make their way through the lines: the language true to
itself while adapting its rhythms and pitches to counterparts in the music.
-Robert Pinsky
Back in 1998 Pinsky published THE SOUNDS OF POETRY.
Find a copy for your pocket.
Poetry remains a vocal and bodily art.
THE E BOX
Tomorrow an E Box will be given to Karolina Gajdeczka. It's a way for me to help a young writer.
The E Box is filled with books taken from my personal collection. It's a box of goodies that will hopefully help a person celebrate life and words. This weekend April begins. Hey - it's National Poetry Month again. Time to open the E Box.
Tomorrow an E Box will be given to Karolina Gajdeczka. It's a way for me to help a young writer.
The E Box is filled with books taken from my personal collection. It's a box of goodies that will hopefully help a person celebrate life and words. This weekend April begins. Hey - it's National Poetry Month again. Time to open the E Box.
KAROLINA GAJDECZKA photo by Ethelbert |
ANOTHER TEAR?
What will we not celebrate today?
We fall in love with anger, hatred and pain.
We spread this news and it burns us again and again.
We come into the world too often crying and the crying never ends.
What will we not celebrate today?
We fall in love with anger, hatred and pain.
We spread this news and it burns us again and again.
We come into the world too often crying and the crying never ends.
A NOTE FROM LAUREN MULLER:
Here is a story Adrienne Rich told me about herself and June. She was ill in the hospital. They were young women in New York. June came to visit. The hospital staff said only family were allowed. June said, but she's my sister! And they let her in.
JUNE JORDAN and ADRIENNE RICH |
EAR-UP! WITH JOHN PARKS
ZUCCHERO |
Zucchero: The International Blues Man
Several years ago...on a free standing rack located at the back of a Staples store, between the last row of office furniture and the shelving housing the in-store stock was an odd collection of $7.99 musical goodies. I weeded through the rack unafraid to take a few risks at 8 bucks a pop. Yes, I’m cheap sometimes, but always adventurous enough to experiment. Then I came upon this red and white CD cover with a guy sitting in a field watching one of those old portable black & white TVs like one I used to have. Zucchero?! The name didn’t ring a bell, but as I read the artists included on his CD I couldn’t wait to hear it.
Adelmo “Zucchero” (sugar) Fornaciari is an Italian singer famous in Europe, but virtually unknown in the United States whose career spans over 40 years. His music has been described as pop, rock, gospel, blues, jazz. It may be more illustrative to list some of the musicians he has worked with: Ray Charles, Clarence Clemons, Joe Cocker, Randy Jackson, jazz vocalist Dee Dee Bridgewater, blues singer Rufus Thomas, blues guitarists Stevie Ray Vaughan and Buddy Guy, R&B singer Randy Crawford, percussionist Sheila E. For his 2004 album, featured here, he adds blues/rock guitarist Eric Clapton, blues guitarist B.B. King, jazz/blues guitarists Jeff Beck, Sing, R&B vocalist Macy Gray and Miles Davis. Wow! What a stellar line up for an international musician obscure in the United States.
If you love blues music you’ll love Zucchero & Co.’s version of them. Each song is a universe of storytelling about love and life. Dune Mosse ,“I’ll go through moved dunes” with Miles Davis is a hunting declaration of someone deeply in love. It is a ballad, the kind of song Miles Davis loved to play the most. Cosi Celeste “so light (the color of the sky)” a romantically poetic love ballad celebrating the woman of his heart. Muoio Per Te, “Mad About You” sung with Sting is the story of a man madly in love with a woman whose life would become a “prison”…”if you became another’s wife.” The rest of the samples need no translations and after listening to Zucchero & Co. it will be clear why these collaborations are “United in divinity in blues we trust.”
The U.S. market for music is geared toward categories and when the American market can’t pigeonhole a collection of chords and harmonies one of the default labels is World Music. Ironically, most, if not all, music is world music.
Hear some songs from Zucchero & Co. (2004)
A Wonderful World with Eric Clapton
Cosi Celeste with Cheb Mami
Dune Mosse with Miles Davis
Hey Man (Sing A Song) with B.B. King
Muoio Per Te with Sting
Senza Una Donna (Without A Woman) with Paul Young
Like The Sun (From Out of Nowhere) with Macy Gray feat. Jeff Beck
Thursday, March 29, 2012
ICHIRO WATCH 2012:
http://aol.sportingnews.com/mlb/story/2012-03-28/suzuki-stars-in-japan-m-s-beat-a-s-in-mlb-opener
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Tricycle Daily Dharma March 29, 2012 | |||
Straight Ahead
- John Daido Loori, "Straight Ahead" Read the entire article in the Tricycle Wisdom Collection |
When Shall I Rise From This Burial?
I felt the lash
this morning
Something more
than hurt or pain
Something closer
to grief
The face of my mother
when her mother died
like a child separated
from a hand or breast
and knowing nothing
of slavery
There are birthmarks
on my skin
and places where
history's wounds
are forever
open
- E. Ethelbert Miller
I felt the lash
this morning
Something more
than hurt or pain
Something closer
to grief
The face of my mother
when her mother died
like a child separated
from a hand or breast
and knowing nothing
of slavery
There are birthmarks
on my skin
and places where
history's wounds
are forever
open
- E. Ethelbert Miller
Wednesday, March 28, 2012
ADRIENNE RICH dead at 82.
This hurts...coming after Split This Rock and all the memories and conversations about June Jordan. I met Adrienne Rich because of my friendship with June. I met Rich at an AWP conference - it might have been in Arizona. Gosh -she was so warm to me. Her work so important - it shaped my views on how to see women - completely -and her poems and essays surrounded my thinking and only then could one really love another. I still cherish the letter she sent me after I published my anthology - WOMEN SURVIVING MASSACRES AND MEN. Her words were encouraging and maybe after our survival there will be a new day. Tonight I will dream of a common language.
The decision to feed the world
is the real decision. No revolution
has chosen it. For that choice requires
that women shall be free.
- Adrienne Rich
This hurts...coming after Split This Rock and all the memories and conversations about June Jordan. I met Adrienne Rich because of my friendship with June. I met Rich at an AWP conference - it might have been in Arizona. Gosh -she was so warm to me. Her work so important - it shaped my views on how to see women - completely -and her poems and essays surrounded my thinking and only then could one really love another. I still cherish the letter she sent me after I published my anthology - WOMEN SURVIVING MASSACRES AND MEN. Her words were encouraging and maybe after our survival there will be a new day. Tonight I will dream of a common language.
The decision to feed the world
is the real decision. No revolution
has chosen it. For that choice requires
that women shall be free.
- Adrienne Rich
Robert Moses' Kin poised for 'Helen' S.F. premiere
San Francisco Chronicle
... that Moses says takes flight to the rhythms of Carl Hancock Rux's spoken-word essays and E. Ethelbert Miller's poetry, with nods to Helen of Troy.
San Francisco Chronicle
... that Moses says takes flight to the rhythms of Carl Hancock Rux's spoken-word essays and E. Ethelbert Miller's poetry, with nods to Helen of Troy.
TODAY WE CELEBRATE THE 100th
BIRTHDAY
OF LEON DAMAS, one of the founders of
the Negritude movement.
BIRTHDAY
OF LEON DAMAS, one of the founders of
the Negritude movement.
1912-1978 |
Last week poet Sonia Sanchez gave me promotional bookmarks for her Peace Is A Haiku Song mural project.
Sing you song of peace and submit a haiku.
For information: peace@muralarts.org
Sing you song of peace and submit a haiku.
For information: peace@muralarts.org
IS THAT A DRONE IN YOUR POCKET?
New 'Drone Studies' Major Has Graduates Pulling In Up To $200K A Year
New 'Drone Studies' Major Has Graduates Pulling In Up To $200K A Year
MICHON BOSTON photo by Ethelbert |
Also speaking will be Andy Shallal and that woman of note - Grace A. Ali. Don't let any April shower prevent you from attending this event. Tell friends and lovers.
ProfilesIntersections E Ethelbert Miller interviews Sam Gilliam on ...
A reissue of a classic interview with two of America's most accomplished artists and thinkers, E. Ethelbert Miller and Sam Gilliam.
vimeo.com/39268839
A reissue of a classic interview with two of America's most accomplished artists and thinkers, E. Ethelbert Miller and Sam Gilliam.
vimeo.com/39268839
Tuesday, March 27, 2012
I received this information today from my friend Noura:
http://michiganpeaceteam.org/signature_event.htm
http://michiganpeaceteam.org/signature_event.htm
NOURA ERAKAT |
SELLIN' 'HELEN' TO THE HOME CROWD: Robert Moses' Kin presents its 17th annual home season Friday through Sunday with the world premiere of "Helen," a dance inspired by the words and music of Carl Hancock Rux, the poetry of E. Ethelbert Miller and Homer's "Iliad"; excerpts from the forthcoming "Scrubbing the Dog"; "Biography," inspired by the life and writing of James Baldwin; "The Soft Sweet Smell of Firm Warm Things" and "Speaking Ill of the Dead." Details: 8 p.m. each night at Novellus Theater, Yerba Buena Center for the Arts, 700 Howard St., San Francisco, $25-$45, 415-978-2787, www.ybca.org.
QUOTE OF THE DAY:
Between 1975, when I moved to the Washington area, and 2011, there have been 12,988 homicides reported in the District, according to FBI statistics. Many of the victims were black youngsters being raised by single mothers, and they were killed by other blacks who had been raised the same way.
- Courtland Milloy
Between 1975, when I moved to the Washington area, and 2011, there have been 12,988 homicides reported in the District, according to FBI statistics. Many of the victims were black youngsters being raised by single mothers, and they were killed by other blacks who had been raised the same way.
- Courtland Milloy
Edward P. Jones talks about his fiction - YouTube | |
www.youtube.com/watch?v=W5sPWxFiVZIMar 9, 2012 - 30 min - Uploaded by hocopolitso Edward P. Jones, arguably the nation's capital's best fiction writer, talks ... and his short fiction with E. Ethelbert Miller. |
Tricycle Daily Dharma March 27, 2012 | |||
Having Good Purpose
- Sulak Sivaraksa, “In Exile from Siam” |
Monday, March 26, 2012
The Change We Must Fight For
April 19, 2012, 6:30 pm–8:30 pm
Busboys & Poets
1025 5th Street NW
Washington, DC
Award-winning author and poet, E. Ethelbert Miller interviews Nation editor and publisher Katrina vanden Heuvel on the state of the world, the nation, the elections, the 99% spring, and the right battles for the change we must fight for.
Katrina vanden Heuvel's latest book is "The Change I Believe In: Fighting for Progress in the Age of Obama." E. Ethelbert Miller is the Board Chair of IPS, and author, most recently, of "The 5th Inning."
Katrina vanden Heuvel's latest book is "The Change I Believe In: Fighting for Progress in the Age of Obama." E. Ethelbert Miller is the Board Chair of IPS, and author, most recently, of "The 5th Inning."
- 59:25 E Ethelbert Miller: Poet, Guest Speaker, for ABRby AmericanBookReview2 views
- 28:32 HIGHER EDUCATION TODAY - Poetryby gotouniversity204 views
- 5:35 Artists for the Climate 2011by ChesapeakeClimate161 views
- 3:47 The Loft Literary Center Program Highlightsby LoftLiteraryCenter229 views
- 25:11 E. Ethelbert Miller Loft Mentor Series Readingby LoftLiteraryCenter73 views
- 1:04:27 Humanities Salon - A Literary Evening at the Arts Club of Washington, DCby humanitieswdc55 views
- 0:47 E. Ethelbert Miller: "Divine Love"by TheDCARTS781 views
- 13:59 Writers on Writing with E. Ethelbert Millerby MedgarEversCollege165 views
- 5:15 DCCAH November Video Spotlight: A Conversation between E. Ethelbert Miller and Sam Gilliam.by TheDCARTS1,123 views
Sunday, March 25, 2012
New books sent or given to me this week:
THE LANGUAGE OF SHEDDING SKIN by Niki Herd
BILL VEECK BASEBALL'S GREATEST MAVERICK by Paul Dickson
OTA BENGA UNDER MY MOTHER'S ROOF by Carrie Allen McCray edited with an introduction by Kevin Simmonds
THE LANGUAGE OF SHEDDING SKIN by Niki Herd
BILL VEECK BASEBALL'S GREATEST MAVERICK by Paul Dickson
OTA BENGA UNDER MY MOTHER'S ROOF by Carrie Allen McCray edited with an introduction by Kevin Simmonds
It's back to cold outside. Rain. How quickly the weather changes. Why is racism a constant?