Today I will head down to the Library of Congress and record some poetry. I also plan to make it to the ballpark. The Nats tonight are playing the Dodgers.

I'm reading HOW I BECAME HETTIE JONES again. I will interview Hettie for ON THE MARGIN on Thursday.

Creative Writing 2.0?

Let's "workshop" the first two sentences of Michael Eric Dyson's essay in Sunday's New York Times:

"We, black America, are a nation of nearly 40 million souls inside a nation of more than 320 million people. And I fear now that it is clearer than ever that you, white America, will always struggle to understand us."

If we first see ourselves as 2 nations - where do go from there?
Chaos or community?

NOTE TO A FRIEND

Hey Man...thanks for the note.

Glad to know you're still writing.

Let me know what dates you'll be in DC.

Much has changed, much is gone, but things are beautiful if one knows

how to define beauty.  Live and breathe is what every free slave remembers.

Blessings - even if you don't believe God rubs the back of your head

while the Devil smiles.

Romancing The Future

It is easy to hate but do we have the strength to love?  At times I feel we teach the wrong King. Maybe we should mention Rodney's name as much as Martin's. Back in March 1991 we saw a black man beaten by the Los Angeles Police Department. George Holliday videotaped much of the beating from his balcony. We know what happened the next year. The police acquittals triggered the Los Angeles riots in which 55 people lost their lives. Is seeing believing? How could a jury reach such a verdict after viewing the Holliday video?  Today almost everyone has a cellphone with a camera.
Can you imagine if Black people had these devices during slavery? The still photograph of a lynching in America still troubles the open mind. One can become very angry from simply reading about black history and looking at pictures - now let's add video to the equation. Let's look at how reality television has changed who we are and who we might even elect to be president of the United States. Talking media - how many of us wanted to be on Oprah or American Idol when these programs captured the imagination of our nation? 

Every black man in America must go to bed thinking he is in a video game. How much cellphone footage of another black man being shot by the police can one consume before going crazy or numb?
Is every black man secretly filled with rage? Do we all have a little Bigger Thomas in us?
If today's black man is so filled with hate - where could this come from?  Remember when we thought we could simply blame it on movies and rap music?  No, it's easy to hate and difficult to love.

The problem we face today is that we seem to cling to the joy of storytelling. Tell me a story before I go to bed. Tell me a story so  that I might dream. Or tell me a story so that I might forget. Unfortunately there is an ongoing clash of narratives. We fail to acknowledge that all the stories are true. So, Micah Johnson tells his story during a standoff with the police. He "confesses" that he hates white people. Why do we find this strange? Why do we feel we need to know how he came to think this way?  What if even he couldn't explain it?  So, now after his death we are creating a narrative not for him but for us. We are writing a story that will help us sleep at night. Blame his actions on a trip to a war zone. Mention he was a recluse and became attractive to the philosophy of black nationalism. If we can connect the dots to the Black Panthers or Malcolm X or a Tar Baby then everything will make sense - right?

The problem I find with storytelling is that we too often want a happy ending. The true story is that our world is filled with great suffering and despair. We are trapped in what might be defined as cellphone westerns. Police as cowboys and black men as Native Americans? In many ways this land is still a frontier. Unfortunately we cannot tame ourselves - how many deaths does it take before one cries genocide?

I don't want to believe Hope is simply a Mistress. I want to experience the true love story - the intimacy of citizenship, the marriage of a common destiny. I know this is difficult but how else can we romance the future?

MICAH

The Dallas shooter is identified as Micah Johnson on CNN.  The picture they release of the shooter has him in African garb and holding up a fist in the form of a Black Power salute. Was this the only picture the media could find? Or is this the picture that fits that narrative that is being drafted? If Johnson said he hated white people and wanted to shoot white police officers because of the recent deaths of black men (by police), best to dress him in an appropriate costume - right? We were told Johnson served in the military. Was it too difficult to find a picture of him in a military uniform? Notice how this story is being assembled. One pundit on CNN said he wanted to know if Johnson was taking any drugs. Let's ignore this for the moment and go back to Johnson who explained why he shot the police. Why do we have to look for anything else?  We have his confession. Sadly, we don't know what to do with it. Johnson actions perhaps define black rage - which is why it's senseless and can't be explained, unless one accepts the "pressure" of racism and how black men can suddenly explode without warning. Often the violence is against ourselves...sometimes it is directed towards others. What was in Johnson's mind before he picked up his gun?  Micah was a minor prophet in the bible. What failed religion did Johnson embrace?  And now I hear - Nat's Coming - in a film called BIRTH OF A NATION. Trouble tends to happen when black men look at the sky and hear voices.
After Micah how do we protect Jerusalem from destruction?

WHAT'S THE CNN?

Reporting the news and interpreting the news while the news is still happening has become a serious problem. Too many false statements and misconceptions are given the air to circulate and later explode but only after the damage is done. It's good to have an opinion but it's better to have facts.
But what are facts these days except the imaginary punctuation of a narrative already drafted.

The Women of Plums Thursday, July 21, 2016 7:00 PM  Historic Lincoln Theatre 1215 U Street NW Washington, DC 20009 Doors Open at 6:00 PM | Free Admission RSVPs are encouraged. RSVP here. A theatrical adaption of the prize-winning book The Women of Plums by DC Poet Laureate Dolores Kendrick. Featuring poems written in the voices of slave women who relate lives of appalling deprivation in lyrical monologues, with dance, music and visual arts. Presented by the DC Commission on the Arts and Humanities and the Office of the Poet Laureate of the District of Columbia. About the DC Commission on the Arts and Humanities The DC Commission on the Arts and Humanities provides grants, professional opportunities, education enrichment, and other programs and services to individuals and nonprofit organizations in all communities within the District of Columbia. The Arts Commission is supported primarily by District government funds and in part by the National Endowment for the Arts.

Dear Friends of BMC, This past year, with the help of Jay Walljasper, we've been gathering stories and work from Blue Mountain Center Residents and sharing them with you via our new Commons E-magazine and our web page. The archive Jay has put together is impressive and serves as a terrific affirmation of the solid work our alums are doing in the world. We would like to check-in and get your feedback about the project. We hope that you can take a few minutes to run through this anonymous survey, which will guide us as we move forward. We appreciate any and all feedback and constructive ideas. Our goal is to share this work, and create something that friends, alumni, and prospective residents and conferees (and all of their friends) will look at to better understand and engage in the BMC community and commons. Here’s a direct link to the survey. Thank you, Harriet and Ben BMC Co-Directors

Holding Light—Waging Peace on Terror By Ashley Makar One visitor described the refugee resettlement agency where I work as Goodwill meets National Geographic meets the DMV. Read More Upstaging the Powers That Be By L.M. Bogad Social movements create eye-catching scenes that provoke critique through the power of performance. Read More Dot and Fran By Dorothy Albertini We knew we’d be loud ladies on the porch. Read More Indigenous Rights Defend Us from Ecological Ruin By Martin Lukacs First Nations have the law on their side, but not political power Read More Manifesto for the Obvious International By Alyce Santoro To reclaim the human in us, we must cultivate awe for the everyday.   Read More The Most Substantive Face-Off in Recent Political History By David Morris The back and forth between Bernie & Hillary forced both to raise their game Read More Facts on the Ground in Israel & Palestine By Shimon Attie Art that raises as many questions as it answers. Read More The Missouri River Dinosaur By Taylor Brorby The pallid sturgeon is, perhaps, the least sexy fish in existence. It is one of nature’s leftovers from the dinosaur era. Read More

Our mailing address is: Blue Mountain Center P.O. Box 109 Blue Mountain Lake, NY 12812 Add us to your address book

Slump

Sometimes I have problems seeing the ball leaving the pitcher's hand.

Baseball Swings

I love Michael A. Taylor on the Nationals but it seems this kid needs another year or 2 in the minors.
Where is his batting coach?

Dusty Baker is doing an excellent job with the team. His press conferences are baseball labs. One can learn a ton of baseball listening to him before and after a game.
Right now he's my Manager of the Year.

I doubt if all the players on the Nationals will click at the same time. I expect 1 or 2 injuries to happen after the All Star Game.
The Bull Pen still has a number of big question marks.

How folks could have confidence in Gio Gonzalez in a playoff game is questionable.
Lucas Giolito looked good his first time on the mound but look at the team he was playing against.

Big surprises have to be Ramos and the Danny E this season. Of course in a close game with a runner on first and one out - Ramos at the plate. Please, Please send the base runner to avoid the DP. Thanks.!

The Nats win it all if Harper hits. 300 and has close to 40 homers.

By Venerable Thich Nhat Hanh (From the book Interbeing)

1
Do not be idolatrous about or bound to any doctrine, theory, or ideology, even Buddhist ones. Buddhist systems of thought are guiding means; they are not absolute truth.

2
Do not think the knowledge you presently possess is changeless, absolute truth. Avoid being narrow minded and bound to present views. Learn and practice nonattachment from views in order to be open to receive others' viewpoints. Truth is found in life and not merely in conceptual knowledge. Be ready to learn throughout your entire life and to observe reality in yourself and in the world at all times.

3
Do not force others, including children, by any means whatsoever, to adopt your views, whether by authority, threat, money, propaganda, or even education. However, through compassionate dialogue, help others renounce fanaticism and narrow-mindedness.

4
Do not avoid suffering or close your eyes before suffering. Do not lose awareness of the existence of suffering in the life of the world. Find ways to be with those who are suffering, including personal contact, visits, images and sounds. By such means, awaken yourself and others to the reality of suffering in the world.

5
Do not accumulate wealth while millions are hungry. Do not take as the aim of your life fame, profit, wealth, or sensual pleasure. Live simply and share time, energy, and material resources with those who are in need.

6
Do not maintain anger or hatred. Learn to penetrate and transform them when they are still seeds in your consciousness. As soon as they arise, turn your attention to your breath in order to see and understand the nature of your hatred.

7
Do not lose yourself in dispersion and in your surroundings. Practice mindful breathing to come back to what is happening in the present moment. Be in touch with what is wondrous, refreshing, and healing both inside and around you. Plant seeds of joy, peace, and understanding in yourself in order to facilitate the work of transformation in the depths of your consciousness.

8
Do not utter words that can create discord and cause the community to break. Make every effort to reconcile and resolve all conflicts, however small.

9
Do not say untruthful things for the sake of personal interest or to impress people. Do not utter words that cause division and hatred. Do not spread news that you do not know to be certain. Do not criticize or condemn things of which you are not sure. Always speak truthfully and constructively. Have the courage to speak out about situations of injustice, even when doing so may threaten your own safety.

10
Do not use the Buddhist community for personal gain or profit, or transform your community into a political party. A religious community, however, should take a clear stand against oppression and injustice and should strive to change the situation without engaging in partisan conflicts.

11
Do not live with a vocation that is harmful to humans and nature. Do not invest in companies that deprive others of their chance to live. Select a vocation that helps realise your ideal of compassion.

12
Do not kill. Do not let others kill. Find whatever means possible to protect life and prevent war.

13
Possess nothing that should belong to others. Respect the property of others, but prevent others from profiting from human suffering or the suffering of other species on Earth.

14
Do not mistreat your body. Learn to handle it with respect. Do not look on your body as only an instrument. Preserve vital energies (sexual, breath, spirit) for the realisation of the Way. (For brothers and sisters who are not monks and nuns:) Sexual expression should not take place without love and commitment. In sexual relations, be aware of future suffering that may be caused. To preserve the happiness of others, respect the rights and commitments of others. Be fully aware of the responsibility of bringing new lives into the world. Meditate on the world into which you are bringing new beings.

From the book 'Interbeing': Fourteen Guidelines for Engaged Buddhism, revised edition: Oct. l993 by Thich Nhat Hanh, published by Parallax Press, Berkeley, California

Ghosting

The movement into the future is a movement away from the past. I must become a pilgrim. It's time to say goodbye to old conversations, beliefs and the horizon I've been staring at all my life. Yes, my confessions say - I've been walking in the wrong direction. What a big surprise. I've been caught in the hat with the bunny for too long. Yes, it's often dark inside history.

ANOTHER E-NOTE

If we seek to claim freedom then we must also claim America. Before sunrise and after dusk we are Americans. We are the dream keepers. America is still the great experiment and most experiments fail- it is the resilience of the blues that will always be the frontier of who we are. This coming into being, this birth of a nation and its endless cry is the music we must learn to play over and over. It is the silence between notes and despair we must overcome. We are a people in need of new spirituals and new Coltranes. Speak to me of a Love Supreme and I will remind you that life is not easy but it reaches for the Divine after much suffering. Out of our blackness there is much magic to behold. We fight against disappearance and the ongoing struggle of pulling ourselves out of the hat of history.

Information from Joanna Chen

http://www.shearsman.com/ws-shop/category/801-translations/product/6052-agi-mishol---less-like-a-dove

Good News

The DC Public Library System has many of my books. If you have no cash to buy then borrow.
Read poems and relax...a nice way to enjoy one's summer vacation.

The Brooks after a Bend in the River

I can't remember when I stopped watching The News Hour. Listening to David Brooks often made me upset. I must have stopped watching television evening news last year. Has it been that long?  I took issue with much of what Brooks had to say, it didn't matter what the topic was. Brooks reminded me of the type of guy I got tired of listening to when I was traveling. The guy across the aisle who had an opinion on everything because he attended an Ivy League school. Sometimes I would look at the person's clothes and how they dressed became linked to a better understanding of how the world was run. I've been forced my entire life to listen and observe privilege. Whiteness was just a cover for things people wanted to steal in the dark.

Yet lately like sunrise it seems each day I've found something written by David Brooks interesting and on point. I find myself quoting or simply shaking my head in agreement. Brooks the last few months have been asking the big questions behind our problems.  He has introduced a level of ethics and clear thinking that has been missing from our the news now disguised as entertainment. One can learn something from the short op-ed articles Brooks has been publishing in The New York Times.
I read them and they are refreshing like air-conditioning on a hot day in DC.

Dear E. Ethelbert, J. K. Rowling at the 2016 PEN America Literary Gala With the United Kingdom voting to leave the European Union, there is an unsettling sense around the globe that the impossible is suddenly possible, and not necessarily in a good way—terrorist attacks in the unlikeliest places, a political season that not even PEN Member Beau Willimon, the creator of House of Cards, could have dreamed up, and a Supreme Court down one and deadlocked on some of the most important issues of our time. At PEN America, we are urging the political parties to ensure media access to campaigns and respect for the First Amendment and press freedom, matters that once seemed beyond question. Bans, insults, and epithets have become an almost accepted dimension of our political process. As I wrote in The Washington Post, our language and categories are failing us when it comes to talking about hateful speech, much less the vital work of doing more to address its consequences. These pressing national questions are buffeting our daily work at PEN America. When we chose Mexico as the focus of this year’s PEN World Voices Festival, we did not know that as we sought to build bridges, others would be calling to erect walls. And when J. K. Rowling agreed to appear at PEN America’s Literary Gala, we did not expect she would be schooling us all on the high cost of easy answers. Rejecting the call to ban Donald Trump from traveling to England, she stood firm for free expression. “I consider him offensive and bigoted,’’ she said. “But he has my full support to come to my country and be offensive and bigoted there. His freedom to speak protects my freedom to call him a bigot. His freedom guarantees mine.” Defending Free Expression The power of international advocacy for human rights was triumphantly in evidence when the indomitable Azerbaijani investigative journalist Khadija Ismayilova—winner of the PEN/Barbara Goldsmith Freedom to Write Award at PEN America’s 2015 Literary Gala—walked out of prison in May. She was granted a conditional release following months of campaigning by PEN and partner organizations outraged at her conviction on trumped-up charges linked to her groundbreaking exposés of corruption, including revelations confirmed in the recently released “Panama Papers.” In a Skype conversation with PEN America after her release, Khadija spoke of how important the Freedom to Write Award had been in keeping her spirits strong in jail. The 36th imprisoned writer recognized by PEN America’s Freedom to Write Award to be released, Khadija is now speaking out on behalf of the other writers, journalists, and activists still imprisoned in Azerbaijan. Khadija Ismayilova released in May We have stepped up our advocacy and assistance work on behalf of writers and activists under threat in Bangladesh following another spate of murders in April, including of Xulhaz Mannan, a prominent journalist and LGBT rights advocate. PEN America enabled an imperiled blogger Ashif Entaz Rabi to travel to Washington to attend the White House Correspondents’ Dinner where the ongoing free expression crisis in Bangladesh and PEN America’s work were highlighted from the podium even as the release of Washington Post journalist Jason Rezaian, whose unjust imprisonment in Iran was the subject of sustained advocacy by PEN America members, was being celebrated. PEN America has continued to lead a coalition of 16 human rights organizations calling on the United Nations Human Rights Council to address Bangladesh at its June session. Celebrating Writers Our 2016 Literary Gala gathered more than 800 supporters to celebrate PEN America and honor champions of literature and free expression. In addition to the PEN/Allen Foundation Literary Service Award presented to J. K. Rowling, our annual publishing award was presented by author Donna Tartt to Hachette Book Group CEO and PEN Trustee Michael Pietsch. The PEN/Toni and James C. Goodale Free Expression Courage Award went to LeeAnne Walters and Dr. Mona Hanna-Attisha, the mother and the pediatrician whose brave demands to be heard brought national attention to the lead-tainted water flowing to homes in Flint, Michigan. The PEN/Barbey Freedom to Write Award was presented to Egyptian writer Ahmed Naji, whose story of imprisonment for writing about sexuality can be seen in the video here. Ahmed’s brother, Mohamed, came to accept the award and, as the evening concluded, guests penned hundreds of heartfelt messages of solidarity for him to take back to Egypt. Each day we release one of these cards via social media (#FreeNaji).   Kathy Bates sends her message of support to Ahmed Naji The Gala garnered extensive media coverage from The Wall Street Journal, Observer, the AP, People, and more, especially for J.K. Rowling's remarks that so meaningfully distilled PEN’s work defending free expression even for views with which we disagree. PEN America President Andrew Solomon offered his reflections on her speech in The Guardian. Also much in view during the evening was the debut of PEN America’s new brand identity, invoking an open book, a “thought bubble” and, through our new tagline, The Freedom to Write, a rallying cry for free expression.   The 12th annual PEN World Voices Festival of International Literature brought together more than 100 writers from dozens of countries for 70-plus events, performances, lectures, tributes, readings, and conversations in venues across New York’s boroughs. We spotlighted the perils faced by journalists such as Lydia Cacho; the work of visual artist Gabriel Orozco who was in conversation with PEN America Trustee Colm Tóibín; Russian crime fiction writer Boris Akunin in dialogue with Walter Mosley; Fran Lebowitz and Richard Price talking about the state of New York City; and Kwame Anthony Appiah, Marlon James, and Jamaica Kincaid comparing notes on being ‘’expats’’ navigating two cultures. At the “I Wish to Say’’ event in Bryant Park, passersby offered messages for the presidential candidates to writers operating manual typewriters. Capping the week was the Arthur Miller Freedom to Write Lecture delivered by Roxane Gay, joined afterward for a conversation with Saeed Jones of Buzzfeed. Gay spoke of making her way through her upcoming  memoir Hunger and how she invoked “the power of Beyoncé” in this period of “AL – after Lemonade” to overcome her fears.   Roxane Gay delivering the Arthur Miller Freedom to Write Lecture At the 2016 PEN Literary Awards Ceremony earlier in April, Master of Ceremonies Tina Chang welcomed some 500 guests, honorees, and presenters to confer more than $200,000 in prizes. Winners of five of our awards were announced live at the ceremony: the PEN/Robert W. Bingham Prize for Debut Fiction to Mia Alvar; the PEN/Diamonstein-Spielvogel Award for the Art of the Essay to Ta-Nehisi Coates; the PEN Open Book Award to Rick Barot; the PEN/E.O. Wilson Literary Science Writing Award to Lauren Redniss; and the PEN/FUSION Emerging Writers Prize to Jean Guerrero. Take a look at the celebration here.   PEN America also applauded the work of incarcerated writers during Breakout: Voices from the Inside with readers such as Piper Kerman, Sunil Yapa, Rachel Eliza Griffiths, Mitchell S. Jackson, Jeffrey Toobin, and Siri Hustvedt showcasing the winners of the 2015 PEN Prison Writing contest. Coming less than 48 hours after the horrific mass shootings in Orlando, our Members Mingle with LAMBDA Literary to celebrate LGBT Pride took on special significance this year. With writers t’ai freedom ford, Naomi Jackson, Darnell Moore, and Darryl Pinckney co-hosting, the event became an opportunity to come together in mourning and solidarity. As Darryl Pinckney reflected: “This was an attack on secularism everywhere, and the secular values of liberalism: the social equality, intellectual freedom, personal liberation, and political power through coalition that make up this secular will—beliefs that have everything to do with LGBT rights.” More than 600 PEN America supporters participated in the 17th season of our Authors' Evenings, intimate gatherings for literature and conversation. The dinners featured writers including John Waters, Erik Larson, Hanya Yanagihara, Mary Karr, Edna O'Brien, and Fareed Zakaria. There will be more evenings this fall; to find out about attending or hosting please contact Lorna Flynn at lorna@pen.org. For May’s Monthly Member Mingle, we partnered with VIDA: Women in Literary Arts—we love their mission of elevating contemporary writing by women.  We have just launched PEN Live series with Nothing Compares 2 U, a tribute to music icon Prince hosted by historian Zaheer Ali with readings from Porochista Khakpour, James Yeh, Lincoln Michel, and Elissa Schappell. Next month, the theme will be “Stump Speech,” another chance to consider the importance of free speech and satire in today’s political climate hosted by Haroon Moghul, author of the novel The Order of Light and an upcoming memoir How to be a Muslim: An American Story. You can get the details on the July 7 event here. As we start a summer that seems bound to be steamy in more ways than one, I look forward to your thoughts on how PEN America can best bring light amid the heat. With warm regards, Suzanne Nossel Executive Director

What?

There are many things I just don't understand, for example who came up with the idea of having Lil Wayne pour champagne on his phone?  Please tell me race had nothing to do with this. I also don't understand why we keep wanting to discuss the levels and degrees of President Obama's blackness.
How many years has this been going on?  Eight?  What?  Why do we keep "pouring" blackness on Obama presidency?  In the New York Times today, one can find "The President of Black America?"
by Michael Eric Dyson. This comes close to recycled journalism and analysis. I had problems with Dyson using the word "flawed" when describing the president. There is something about the word that makes one human. If the president is imperfect is it because of his character or his policies? Strange for an "imperfect" president to work so hard to have a more perfect union. Is there such a thing as a race flaw?  Many years ago I thought it was a black person with a jerry curl. The last I looked the president's hair was only turning gray.

In his essay, Dyson mentions he twice worked hard to get the president elected. What did he do?
Stuff envelopes and go door to door?  I remember when I learned President Obama wrote poetry. I suddenly felt very close to him. I wanted every speech he gave to be well written and poetic. Maybe before we ask if Obama is a Black president, we should determine if he is a poet or a black poet.
Would this make things easier for history?

In the 21st century why should President Obama have to highlight black suffering?  We keep throwing the "Dyson" at this question. Simply talking about race has become a cottage industry for black intellectuals. My working class mother and father didn't need pundits to explain racism or race relations to them. When their backs hurt and the money in their pockets subtracted itself from a hole, they turned to face each morning as blues people, trying to make a way out of no way. I majored in African American Studies when I went to college. Today there are many black books published about race I have no intention of reading, for the simple reason that these texts are not visionary. They might have a cute title but that's just gimmick marketing. We are not going to progress on slogans and sweet couplets.

From the moment President Obama took his oath, the black intellectual had no tool or way of measuring his importance or impact on society. Think of Obama as one of the Wright brothers - convincing folks that the airplane is coming. Here was a black man elected to the most powerful office in the world. I doubt this was what Stokely was thinking about when he shouted "Black Power." What if we began to see Obama as another Einstein. Do you think we might be able to travel faster than the speed of light?  Or would we be held back by the gravity of our blackness?

Meanwhile, Lil Wayne sticks his phone in the fish bowl and is surprised that it still works.
How many black people continue to look at President Obama still shocked that he was ever elected?

What?

Howdy Doody Time

Our world is filled with sacred nonsense. We love a tribe as much as 13 colonies. Any type of world federation or union is always suspicious. After Britexit I guess comes Texas.

Maryland and Washington, DC premieres of Raising Bertie Saturday, June 25 - 1:45pm AFI Silver Theatre and Cultural Center 8633 Colesville Road Silver Spring, MD 20910 Sunday, June 26 - 3pm Landmark E Street Cinema 421 7th St., NW Washington, DC 20004 Join filmmakers Margaret Byne, Ian Kibbe with  Reginald “Junior” Askew, David “Bud” Perry, Davonte “Dada” Harrell for Q&A following the AFI DOCS screenings of Raising Bertie Tickets and festival information available at afidocs.com ABOUT Raising Bertie is a tender portrait of the lives of three young boys: Reginald “Junior” Askew, David “Bud” Perry, and Davonte “Dada” Harrell as they face a precarious coming of age in the rural community of Bertie, North Carolina. When the supportive community school they attend is forced to close, the boys must navigate a path of their own, which they hope will lead them away from the cycles of racism and poverty that threaten to engulf their lives.  Directed by Margaret Byrne (a cinematographer on American Promise) through production collaborative Kartemquin Films (The Interrupters, Life Itself), Raising Bertie world premiered in April 2016 at Full Frame. It has screened to acclaim at the Sarasota, Ashland, and Bentonville Film Festivals. "Astounding and powerful” (Indiewire), the film "brilliantly weaves the young men’s stories together, as they transition from their teens into manhood, engaged in a shared struggle for social and economic survival," (Huffington Post Black Voices), and is “beautifully filmed” (The Guardian). Visit RaisingBertie.com facebook.com/RaisingBertieFilm @Raising Bertie