Sunday, February 26, 2012

DRONES FOR HIRE:
 
http://video.nytimes.com/video/2012/02/17/technology/100000001364648/drones-for-hire.html
I will be at the DC Jewish Community Center at 1PM today.  Filmmaker Shukree Hassan Tilghman will be talking about his documentary "More Than A Month." I'll be moderating a 45 minutes Q&A session.

http://www.communitycinema-dc.org/tag/more-than-a-month/

SHUKREE HASSAN TILGHMAN

Saturday, February 25, 2012

of note:http://www.ofnotemagazine.org
G is in town to give a Fulbright talk tomorrow:
Grace A. Ali photo by Ethelbert

So what's an Obama to do?  For a spell all the talk was about the economy. With unemployment numbers going down and the economy moving into foreplay what can Republicans do to halt the romance? Oh- here comes the rising gas price story. This will get a big push as summer nears. The public will be told to take a vacation on the porch. Bad news out of the Middle East will be part of the blame. It's either gas problems or passing gas with old social issues. Is abortion news making a comeback?  Or maybe we are waiting for the Supreme Court to set the tone. From healthcare to affirmative action, the Court will be busy this year. I'm already running on fumes.
HERE IS MY BLACK PROPHETIC LOOK. Now give me some chicken and fries.
http://diverseeducation.com/article/16821/
BUT DO YOU REMEMBER THOSE DAYS OF SLAVERY WHEN WE HAD FULL EMPLOYMENT?

 Big Drop In Black Unemployment Stirs Hope, Anxiety - New America Media
 
The United States Labor Department reported unexpected news that the Black unemployment rate dropped from 15.8 to 13.6 percent, in January, the lowest unemployment rate for African- Americans in almost three years.

The report sent a hopeful sign that unemployment among Black men declined from 15.7 to 12.7 percent. Similarly, the unemployment rate for Black women dropped from 13.9 to 12.6 percent.
NewBlackMan: #LinSanity and the Blackness of Basketball
newblackman.blogspot.com  
Beltway Poetry logo
February 2012Call for Entries
Poets in the Federal Government Issue Volume 13:3
http://www.beltwaypoetry.com


Beltway Poetry Quarterly seeks poems for a special Poets in Federal Government Issue, Volume 13:3, to be published July 2012.  We will be accepting submissions online ONLY during the month of March 2012.

Any poet who is a current or past employee of the Federal Government of the United States is eligible.  Contractors are not eligible, but part-time or seasonal employees are.  Poets may live anywhere in the world. 

We seek poems on the theme of government work.  Poems may address: borders, bureaucracy, colleagues, commuting, conflicts of interest, the coast guard, cubicles, efficiency, evaluations, flagpoles, fluorescent lights, the forest service, hierarchy, income, infrastructure, the military, national parks, office equipment, paperwork, per diems, public service, the law, requisitions, security, sick leave, taxes, water coolers, welfare, or other related topics.

Submit from one to five poems in the body of a single email, along with full contact information, and a one-paragraph bio that includes your federal job experience. No attachments will be read.  Poems may be previously published, but only if copyright has reverted to the writer, and the poems do not appear anywhere else on the web (including on blogs and list serves).  The deadline is March 31 at 11:59 and 59 seconds. Poems submitted outside the March reading period will not be considered.  Submit to: beltwaypoetryquarterly@gmail.com.

Poets will be notified of editorial decisions by that all-important federal date of April 15.  This special issue will be compiled by Kim Roberts, with guest co-editor Michael Gushue, publisher of Beothuk Books and Vrzhu Books, co-director of Poetry Mutual, author of Conrad and Gathering Down Women, and a member of the federal workforce for 28 years.

Available now online for free!

Since January 2000, Beltway Poetry Quarterly has provided a showcase for the diversity and richness of poets from the greater Washington, DC region.

Special issues of the journal reflect aspects of life important to the region.  Past themes have included politics, museums, the changing identity of urban neighborhoods, and tribute issues to DC writers Langston Hughes and Walt Whitman.

Access to the journal and Mid-Atlantic Resource Bank are always free.
Wild Swans
by Edna St. Vincent Millay

I looked in my heart while the wild swans went over.
And what did I see I had not seen before?
Only a question less or a question more;
Nothing to match the flight of wild birds flying.
Tiresome heart, forever living and dying,
House without air, I leave you and lock your door.
Wild swans, come over the town, come over
The town again, trailing your legs and crying!
CULTURE CLUSTER IN THE FORECAST



Date: Saturday, March 24 2012
Location: 1901 Mississippi Ave. SE
Washington DC, 20020


Tickets Include

       Full day of incredible speakers from the DC creative community. 
       Lunch by Busboys & Poets.
       Cocktail Reception and live entertainment after the event.
       Coffee and pastries throughout the day.
       Shuttle to and from Congress Heights metro station.

About TEDxWDC

In the spirit of ideas worth spreading, TED has created a program called TEDx. TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. Our event is called TEDxWDC, where x=independently organized TED event.

TEDxWDC is dedicated to promoting communication between the creative economic clusters in the city of Washington, D.C. The theme of TEDxWDC is The Creative City: Entrepreneurship, Creativity, and Innovation. Our audience will consist of individuals highly interested in creative ideas, collaboration and movements here in the Washington D.C. area.

Join Us and follow us at: 



DEAR GOD, SHOULD WE STOP SPREADING THE NEWS?

http://www.fpif.org/blog/grand_mufti_of_saudi_arabia_real_muslims_dont_tweet 
WHAT'S THE WORD?
http://www.memidex.com/
ARE YOU WAITING FOR NATIONAL POETRY MONTH?

WWW.POETLORE.COM 
Skate to where the pucks going, not where its been.

       - Wayne Gretzky

Friday, February 24, 2012

National Building Museum: Upcoming Programs

Women of Architecture: Architecture and the Great Recession

Thursday, March 8, 6:30 - 8:00 pm
It is difficult to exaggerate the chilling effect of the economic slowdown on architecture. A panel of developers, architects, and design experts examines how the building industry is responding to profound challenges created by the current recession and how the building industry is responding to the prolonged economic downturn. Mara Liasson, Fox News and NPR, provides opening remarks and then moderates a discussion among the following panelists:
  • Shelia Cahnman, group vice president, HOK
  • MaryAnne Gilmartin, director of commercial and residential development, Forest City Ratner
  • Cathleen McGuigan, editor-in-chief, Architectural Record  
  • Claire Weisz, WXY Architecture + Urban Design
FREE to students.
1.5 LU (AIA)
“Women of Architecture: Architecture and the Great Recession,” part of the Women of Architecture series, is a collaboration between the National Building Museum and the Beverly Willis Architecture Foundation to celebrate Women’s History Month.
Register now.
Anxiety is inevitable in an age of crisis like ours...God does not ask you not to feel anxious but to trust in him no matter how you feel.

    Thomas Merton

Howard Dodson Jr. Named Director of Moorland-Spingarn and Howard University Libraries
Scholar Noted for Raising the Profile of Harlem’s Schomburg Center
Howard Dodson Jr.
Howard Dodson Jr.
WASHINGTON (February 24, 2012) – Howard Dodson Jr., a national leader in the movement to preserve African-American history, has been named the new director of the Moorland-Spingarn Research Center and director of the Howard University Library System.  Dodson retired last year from his position as director of Harlem’s Schomburg Center for Research in Black Culture after 27 years of service.
"Dodson brings a wealth of knowledge and expertise as the new leader of Moorland-Spingarn Research Center and University Libraries," said Howard University President Sidney Ribeau. "He will be instrumental as we execute our research agenda and preserve our cultural treasures."  
The Moorland-Spingarn Research Center (MSRC) is recognized as one of the world's largest and most comprehensive repositories for the documentation of the history and culture of people of African descent in Africa, the Americas, and other parts of the world. As one of Howard University's major research facilities, the MSRC collects, preserves, and makes available for research a wide range of resources chronicling the Black experience.

“We have too few centers that are documenting the global Black experience. Moorland has been one of the most important ones for nearly 100 years,” Dodson said.
Its collections include more than 175,000 bound volumes and tens of thousands of journals, periodicals, and newspapers; more than 17,000 feet of manuscript and archival collections; nearly 1000 audio tapes; hundreds of artifacts; 100,000 prints, photographs, maps, and other graphic items. The collections are used by scholars, museums, students, and other researchers from Howard University and throughout the world. Information provided by the MSRC is regularly used in exhibitions, video productions, news programming, and a wide range of publications.
Dodson’s immediate priorities at Howard University include increasing Moorland’s hours: providing twenty-four hour service in Founders Library, and enhancing the interior environments of both. He also plans to expand access to collections and make the libraries more active partners in student learning and university research. Finally, he plans to revitalize and upgrade the University’s library system, the newest member of the Washington Research Library Consortium.

Dodson is credited with extending the reach and reputation of the Schomburg Center through major exhibitions and acquisitions. Today, the Center is recognized as one of the leading institutions of its kind in the world.
Dodson became chief of the Schomburg in 1984. Under his direction, the Center’s holdings doubled to 10 million. Acquisitions included the collections of Malcolm X, Lorraine Hansberry and Maya Angelou. Publishing projects Dodson spearheaded have included numerous microform editions of collections of original documents, a six-volume encyclopedia of African American history and culture, and a 30-volume collection of writings by African-American women.
Under Dodson’s stewardship, the Schomburg Center has been an innovator in using the Internet to increase access to library materials. He enhanced the quality of the Schomburg Center’s exhibitions, public programs, and special events. Attendance tripled to 120,000 people per year.
Dodson was born in Chester, Penn., in 1939. He graduated from West Chester State College in 1961 with a degree in social studies and secondary education and in 1964 received a master’s degree in history and political science from Villanova University. Dodson joined the Peace Corps in 1964, serving for two years in Ecuador and later as a national Peace Corps staff member. He then entered a doctoral program at the University of California, Berkeley where he focused on the comparative history of slavery in the Western Hemisphere.
Through the years, Dodson has lectured widely on various topics nationally and internationally. His books include Becoming American: The Africa-American Journey; In Motion: the African-American Migration Experience; Jubilee: the Emergence of African-American Culture; and The Black New Yorkers: The Schomburg Illustrated Chronology.
In recognition of his contribution to the development of the Schomburg Center, Dodson has been awarded honorary doctorates by Villanova University (2007), the City University of New York (2004), West Chester State University (2004), Adelphi University (2004) and Widener University (1987). In 2010, Dodson was designated a New York City “Living Landmark” by the New York Landmarks Conservancy.
ABOUT HOWARD
Howard University is a private research university that is comprised of 13 schools and colleges. Founded in 1867, students pursue studies in more than 120 areas leading to undergraduate, graduate and professional degrees. Since 1998, the University has produced two Rhodes Scholars, two Truman Scholars, a Marshall Scholar, 24 Fulbright Scholars and 11 Pickering Fellows. Howard also produces more on campus African-American Ph.D. recipients than any other university in the United States. For more information on Howard University, call 202-238-2330, or visit the University’s Web site at www.howard.edu.

EAR-UP!  WITH JOHN PARKS



Buddy Guy: 74 Years Young




“The blues,” Robert Johnson once said, “is a low-down, aching chill; if you ain’t never had ‘em, I hope you never will.” But Johnson’s description is just one kind of blues.

Everyone has the blues sometimes and blues music is an expression of the condition of life. Johnson’s apocryphal story about making a deal with the devil in exchange for the talent to play the guitar dramatized in the 1986 film Crossroads, is legendary in the music world. Fortunately, deals with the devil aren’t prerequisite for singing and playing the blues. As rankings go Buddy Guy is among the best. Rock guitarist Eric Clapton claims him as his favorite.

Blues singer/musician Buddy Guy has an unforgettable sound. It can be highly charged and feverishly intense or a relaxed, groovy mood.  Either way Guy brings it on with a lot of feeling drawn deeply from his well of life experience.

George “Buddy” Guy, born in 1936 in Lettsworth, Louisiana, grew up in a sharecropping family picking cotton. The blues music that he heard on the radio helped him engineer aspirations beyond the life stifling limitations of sharecropping, a deceivingly benign word for debt peonage. By the time he was a teenager he had become good enough to play the clubs in Baton Rouge and his hometown of Lettsworth.

Eddie Jones, better known as Guitar Slim was one of Guy’s initial influences. Slim is well known for his 1954 hit “The Things (That) I Used To Do.” http://youtu.be/HCeb-28W26k. Slim was also known for his engaging showmanship and stage presence. B.B. King was another influence. Guy blended the styles of both men.

Guy’s career moved steadily, but slowly. From 1960 to 1967 his body of work expanded with a 7 year stint at Chess records. There he recorded with Muddy Waters, Howlin Wolf, Little Walter, Sony Boy Williamson, Willie Dixon and on Koko Taylor’s rocking hit “Wang Dang Doodle.” http://youtu.be/qp5NIxWdUbI.

Although Guy was a major influence on Stevie Ray Vaughn, Eric Clapton and Jimi Hendrix the appeal of his music broadened after the release his 1991 album Damn Right, I’ve Got the Blues after which came six Grammy awards and a 2005 induction into the Rock and Roll Hall of Fame. He was inducted by Eric Clapton and B.B. King.

With his club Buddy Guy’s Legends hosting live blues 7 nights a week, Guy has become a mainstay of the Chicago blues scene. It may well be the best place to get the best of southern culture north west of the Mason Dixon Line.

Living Proof is Guy’s most recent album. For the most part it is biographical extolling on ‘Thank Me Someday” his humble beginnings while boasting his autodidactic skills on the guitar. There is always room for a testosterone declaration in blues music. In keeping with the tradition of like “I’m Your Hoochie Koochie Man,” (http://youtu.be/HgAcDLZr6Gs) “Mannish Boy,” (http://youtu.be/aUFCZHWK89k) or “Boom, Boom,” (http://youtu.be/rOyj4ciJk34), Guy’s “74 Years Young” claims “I’ve got a few good tricks up my sleeve/I know everything that a good woman needs…when it comes to loving I ain’t done/I’m 74 years young.” While the lyric is a boast Guy’s clam delivery belies its claim. If you’re looking for proof it’s in his solo. The title song “Living Proof” though is a testimony to the power of faith. “This Is Where the Blues Begins,” is a subdued, contemplative song featuring Carlos Santana riffing over Guy’s lyrics, “…the same old fight you just can’t win,” punctuated Santana solos.

Living Proof is a mild version of Guy’s signature hard charging style. The last three tracks, “Let The Door Knob Hit Ya,” “Guess What” and “Skanky” are ample reminders of the energy and passion that Buddy Guy brings to the blues.


Hear the complete album

Track list:
74 Years Young
Thank Me Someday
On The Road
Stay Around a Little Longer (feat. B.B. King)
Key Don’t Fit
Living Proof
Where the Blues Begins (feat. Carlos Santana)
Too Soon
Everybody’s Got To Go
Let The Door Knob Hit Ya
Guess What
Skanky

Video feat B.B. King “Stay Around A Little Longer”

At the “White House: Red White and Blues,” which will air on PBS February 27. 2012, Buddy Guy got President Obama to sing the first bars of “Sweet Home Chicago.” 

Daily Buddhist Wisdom






What is meant by nonduality, Mahatmi? It means that light and shade, long and short, black and white, can only be experienced in relation to each other; light is not independent of shade, nor black of white. There are no opposites, only relationships. In the same way, nirvana and the ordinary world of suffering are not two things but related to each other. There is no nirvana except where the world of suffering is; there is no world of suffering apart from nirvana. For existence is not mutually exclusive.
- Lankavatara Sutra

Thursday, February 23, 2012

Breaking News Alert
The New York Times
Thursday, February 23, 2012 -- 5:29 PM EST
-----

National League M.V.P. Wins Appeal on Positive Drug Test

Ryan Braun, the reigning most valuable player in the National League, has 
successfully appealed his positive drug test and will not be suspended for the 
first 50 games of the 2012 season. 

A three-person panel that heard Braun’s appeal upheld his argument by a vote of 
2-1. Until now, no player is known to have successfully appealed a positive test 
result. 

The test that has now been overturned was taken during the 2011 postseason, in 
which Braun played left field and batted cleanup for the Milwaukee Brewers, who 
beat the Arizona Diamondbacks in the first round and then lost to the St. Louis 
Cardinals in the National League Championship Series.